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The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century

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  • Peter Tschmuck

Abstract

This paper investigates the compensation of Court musicians in the late 16thcentury, a period of transitionfrom a medieval feudal system to a market economy. Using data from theTyrolian archives, the paper demonstratesthat one cannot measure the socio-economic status of Court musicians in theHousehold of Archduke Ferdinand IIin Innsbruck only by their wages, but that one must also take intoconsideration all of the financial, material, andnon-material incentives that a Court might provide in the late 16th century.The incentives provided byArchduke Ferdinand's Court in Tyrol constitute a patronage system that isrepresentative of other Courts at the time. Copyright Kluwer Academic Publishers 2001

Suggested Citation

  • Peter Tschmuck, 2001. "The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 47-62, February.
  • Handle: RePEc:kap:jculte:v:25:y:2001:i:1:p:47-62
    DOI: 10.1023/A:1007612329921
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    References listed on IDEAS

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    1. Adler, Moshe, 1985. "Stardom and Talent," American Economic Review, American Economic Association, vol. 75(1), pages 208-212, March.
    2. MacDonald, Glenn M, 1988. "The Economics of Rising Stars," American Economic Review, American Economic Association, vol. 78(1), pages 155-166, March.
    3. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
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    Cited by:

    1. Achten-Gozdowski, Jennifer, 2018. "Geschichte und Politökonomie deutscher Theatersubventionen
      [History and Political Economy of Public Subsidies for German Theatres and Operas]
      ," MPRA Paper 85087, University Library of Munich, Germany.

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