IDEAS home Printed from https://ideas.repec.org/p/hig/wpaper/211-hum-2022.html
   My bibliography  Save this paper

How To Turn Towards Soviet Temporality? Setting The Analytical Optics

Author

Listed:
  • Galina A. Orlova

    (National Research University Higher School of Economics)

  • Kristina A. Tanis

    (National Research University Higher School of Economics)

  • Marina N. Balakhonskaya

    (National Research University Higher School of Economics)

  • Anastasiia A. Balykova

    (National Research University Higher School of Economics)

  • Alexander A. Berlov

    (National Research University Higher School of Economics)

  • Alina A. Zaripova

    (National Research University Higher School of Economics)

  • Maxim Yu. Lukin

    (National Research University Higher School of Economics)

Abstract

Responding to the reproaches addressed by Michel de Certeau a quarter of a century ago to historians, who use time as a taxonomic tool without reflecting on its social structure, we seek to make time visible through the analytical tools developed currently by sociologists and anthropologists of time. Setting the analytical optics, we are turning in a performative way towards temporality in the history of the Soviet 20th century, transferring the temporal turn from the declaration into presence. Continuing to experiment with looking at the Soviet reality through a temporality lens, we are gathering the subjects of our two-year research in the text. The number of co-authors, unusual for the humanities; the composition of paper; and the wide range of topics express and embody the letter and spirit of our project, where the Soviet social time is jointly studied from different perspectives. Compositionally, the article consists of six analytical short stories. In each of them, the results of one of our research cases, united under the umbrella of the Soviet temporality project, are interpreted with one of the core concepts or approaches introduced by the temporal turn.

Suggested Citation

  • Galina A. Orlova & Kristina A. Tanis & Marina N. Balakhonskaya & Anastasiia A. Balykova & Alexander A. Berlov & Alina A. Zaripova & Maxim Yu. Lukin, 2022. "How To Turn Towards Soviet Temporality? Setting The Analytical Optics," HSE Working papers WP BRP 211HUM/2022, National Research University Higher School of Economics.
  • Handle: RePEc:hig:wpaper:211/hum/2022
    as

    Download full text from publisher

    File URL: https://wp.hse.ru/data/2022/12/07/1714090194/211HUM2022.pdf
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. F. Andrew, 2002. "Revenue-Sharing in Movie Exhibition and the Arrival of Sound," Economic Inquiry, Western Economic Association International, vol. 40(3), pages 380-402, July.
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Jang, Moonkyoung & Baek, Hyunmi & Kim, Seongcheol, 2021. "Movie characteristics as determinants of download-to-own performance in the Korean video-on-demand market," Telecommunications Policy, Elsevier, vol. 45(7).
    2. John Sedgwick & Michael Pokorny, 2010. "Consumers as risk takers: Evidence from the film industry during the 1930s," Business History, Taylor & Francis Journals, vol. 52(1), pages 74-99.
    3. John Sedgwick & Michael Pokorny, 2005. "The film business in the United States and Britain during the 1930s," Economic History Review, Economic History Society, vol. 58(1), pages 79-112, February.
    4. Joonhyuk Yang & Eric T. Anderson & Brett R. Gordon, 2021. "Digitization and Flexibility: Evidence from the South Korean Movie Market," Marketing Science, INFORMS, vol. 40(5), pages 821-843, September.
    5. Daniel Barron & Robert Gibbons & Ricard Gil & Kevin J.Murphy, 2020. "Relational Adaptation Under Reel Authority," Management Science, INFORMS, vol. 66(5), pages 1868-1889, May.
    6. Pierre-André Chiappori & Bernard Salanié, 2002. "Testing Contract Theory : A Survey of Some Recent Work," Working Papers 2002-11, Center for Research in Economics and Statistics.
    7. Retsef Levi & Georgia Perakis & Cong Shi & Wei Sun, 2020. "Strategic Capacity Planning Problems in Revenue‐Sharing Joint Ventures," Production and Operations Management, Production and Operations Management Society, vol. 29(3), pages 664-687, March.
    8. Wen-jhan Jane & Wei-peng Chen & Yuan-lin Hsu, 2015. "The impact of deregulation on the movie box office after Taiwan’s entry into the WTO: the difference-in-differences estimation," Eurasian Business Review, Springer;Eurasia Business and Economics Society, vol. 5(2), pages 289-308, December.
    9. W. Walls, 2010. "Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(4), pages 261-279, November.
    10. W. D. Walls, 2009. "The Market for Motion Pictures in Thailand: Rank, Revenue, and Survival at the Box Office," International Journal of Business and Economics, School of Management Development, Feng Chia University, Taichung, Taiwan, vol. 8(2), pages 115-131, August.
    11. Benjamin Bridgman, 2017. "Market Entry Mode: Evidence From The Golden Age Of Hollywood," Economic Inquiry, Western Economic Association International, vol. 55(2), pages 778-793, April.
    12. James G. Mulligan & Daniel J. Wedzielewski, 2012. "Government Intervention to Prevent Bankruptcy: the Effect of Blind-Bidding Laws on Movie Theaters," Working Papers 12-03, University of Delaware, Department of Economics.
    13. Gerben Bakker, 2005. "The decline and fall of the European film industry: sunk costs, market size, and market structure, 1890–1927," Economic History Review, Economic History Society, vol. 58(2), pages 310-351, May.
    14. Fleck, Robert K. & Hanssen, F. Andrew, 2016. "Persistence and change in age-specific gender gaps: Hollywood actors from the silent era onward," International Review of Law and Economics, Elsevier, vol. 48(C), pages 36-49.
    15. Ch'ng, Kean Siang, 2007. "Evolutionary Concept, Genetic Algorithm and Exhibition Contract in Movie Industry," MPRA Paper 5387, University Library of Munich, Germany, revised 19 Oct 2007.
    16. Darlene Chisholm, 2005. "Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(3), pages 233-237, August.

    More about this item

    Keywords

    (Soviet) temporality; theoretical framework; timeframe; (socialist) timescape; heterochrony; temporalization; phronesis of time; pedagogy of time; time-patterns; materialization of time; clock-timing; temporal turn.;
    All these keywords.

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

    NEP fields

    This paper has been announced in the following NEP Reports:

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:hig:wpaper:211/hum/2022. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Shamil Abdulaev or Shamil Abdulaev (email available below). General contact details of provider: https://edirc.repec.org/data/hsecoru.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.