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Drivers of Buying Contemporary Art – Investoren und Family Offices als Marktakteure

In: Markt und Marketing der Contemporary Art

Author

Listed:
  • H. Dieter Dahlhoff

    (Universität Kassel)

  • Tim Verriet

    (Universität Kassel)

Abstract

Zusammenfassung Am 12.09.2018 wird die Kunstwelt von einem besonderen Ereignis er-schüttert. Bei einer Versteigerung des Auktionshauses Sotheby’s in Lon-don wird das Gemälde „Girl with a Balloon (2006)“ des britischen Streetartists Banksy für umgerechnet 1,4 Millionen US Dollar verkauft und im Moment des Zuschlags vor den Augen der Anwesenden ge-schreddert. (Shaw 2018, Rea et al. 2018).

Suggested Citation

  • H. Dieter Dahlhoff & Tim Verriet, 2021. "Drivers of Buying Contemporary Art – Investoren und Family Offices als Marktakteure," Springer Books, in: Markt und Marketing der Contemporary Art, pages 173-247, Springer.
    • Handle: RePEc:spr:sprchp:978-3-658-32198-7_5
    DOI: 10.1007/978-3-658-32198-7_5
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    References listed on IDEAS

    as
    1. Agnello, Richard J., 2016. "Do U.S. paintings follow the CAPM? Findings disaggregated by subject, artist, and value of the work," Research in Economics, Elsevier, vol. 70(3), pages 403-411.
    2. Adams, Renée & Kräussl, Roman & Navone, Marco & Verwijmeren, Patrick, 2018. "Is gender in the eye of the beholder? Identifying cultural attitudes with art auction prices," CFS Working Paper Series 595, Center for Financial Studies (CFS).
    3. Thomas A. Evans, 2012. "An Estimate of the Accuracy of Hedonic Real Estate Valuations Using the Orange County Bankruptcy," Economica, London School of Economics and Political Science, vol. 79(316), pages 703-720, October.
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