Digital Technology and the Allocation of Ownership in the Music Industry
AbstractThis paper analyses the innovation process of music goods from an organisational point of view and the effects of digital technology on the allocation of property rights. We apply the property rights theory framework introduced by Grossman-Hart-Moore (GHM) to the music industry and study the contractual relationship between artists who create music and labels who promote and distribute it. In the spirit of GHM, different types of ownership structures are analysed. The result confirms the current allocation of property rights as it suggests that music labels, whose role in the production process is indispensable due to their promotion and distribution knowledge, should own the copyright. However as digital technology advances further, alternative ways to promote and distribute music develop - labels become less indispensable. We find scenarios where the incumbent ownership structure ceases to be optimal. Moreover, we discuss new organisational structures of the music industry. We introduce a mentor, an alternative intermediary to the label and analyse its effect on the optimal allocation of ownership. Our main result is that label ownership becomes less likely.
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Bibliographic InfoPaper provided by Department of Economics, University of Bristol, UK in its series The Centre for Market and Public Organisation with number 04/096.
Length: 26 pages
Date of creation: Jan 2004
Date of revision:
property rights theory; copyright; internet; music industry;
Other versions of this item:
- Tobias Regner & Maija Halonen-Akatwijuka, 2004. "Digital Technology And The Allocation Of Ownership In The Music Industry," Royal Economic Society Annual Conference 2004 54, Royal Economic Society.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," Jena Economic Research Papers 2009-096, Friedrich-Schiller-University Jena, Max-Planck-Institute of Economics.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," The Centre for Market and Public Organisation 09/228, Department of Economics, University of Bristol, UK.
- C71 - Mathematical and Quantitative Methods - - Game Theory and Bargaining Theory - - - Cooperative Games
- D23 - Microeconomics - - Production and Organizations - - - Organizational Behavior; Transaction Costs; Property Rights
- L23 - Industrial Organization - - Firm Objectives, Organization, and Behavior - - - Organization of Production
- L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
- L86 - Industrial Organization - - Industry Studies: Services - - - Information and Internet Services; Computer Software
This paper has been announced in the following NEP Reports:
- NEP-ALL-2004-08-16 (All new papers)
- NEP-COM-2004-08-16 (Industrial Competition)
- NEP-INO-2004-08-16 (Innovation)
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
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