Digital Technology And The Allocation Of Ownership In The Music Industry
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Abstract
(This abstract was borrowed from another version of this item.)
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Other versions of this item:
- Maija Halonen-Akatwijuka & Toby Regner, 2004. "Digital Technology and the Allocation of Ownership in the Music Industry," The Centre for Market and Public Organisation 04/096, The Centre for Market and Public Organisation, University of Bristol, UK.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," Jena Economics Research Papers 2009-096, Friedrich-Schiller-University Jena.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," The Centre for Market and Public Organisation 09/228, The Centre for Market and Public Organisation, University of Bristol, UK.
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Cited by:
- is not listed on IDEAS
- Mustonen, Mikko, 2019. "Direct publishing and the bargaining between the author and the publisher," Information Economics and Policy, Elsevier, vol. 48(C), pages 40-47.
- Gans, Joshua S., 2015.
"Remix rights and negotiations over the use of copy-protected works,"
International Journal of Industrial Organization, Elsevier, vol. 41(C), pages 76-83.
- Joshua S. Gans, 2014. "Remix Rights and Negotiations Over the Use of Copy-Protected Works," NBER Working Papers 20364, National Bureau of Economic Research, Inc.
More about this item
JEL classification:
- D23 - Microeconomics - - Production and Organizations - - - Organizational Behavior; Transaction Costs; Property Rights
- L22 - Industrial Organization - - Firm Objectives, Organization, and Behavior - - - Firm Organization and Market Structure
- L23 - Industrial Organization - - Firm Objectives, Organization, and Behavior - - - Organization of Production
- L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
- L86 - Industrial Organization - - Industry Studies: Services - - - Information and Internet Services; Computer Software
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