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Copyright in visual art markets: some economic theory concerning resale royalties and other options

In: Handbook on the Economics of Copyright

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  • Richard Watt

Abstract

Featuring expert contributors from around the world, this book offers insight into the vital theoretical and practical aspects of the economics of copyright. Topics discussed include fair use, performers’ rights, copyright and trade, online music streaming, internet piracy, copyright and visual art markets, and open source publishing. In addition to in-depth coverage of these timely topics, the authors also offer insightful predictions and policy recommendations for the future.

Suggested Citation

  • Richard Watt, 2014. "Copyright in visual art markets: some economic theory concerning resale royalties and other options," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 18, pages 328-342, Edward Elgar Publishing.
  • Handle: RePEc:elg:eechap:14240_18
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    References listed on IDEAS

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    1. J. D. Stanford, 2003. "Economic Analysis Of The Droit De Suite– The Artist's Resale Royalty," Australian Economic Papers, Wiley Blackwell, vol. 42(4), pages 386-398, December.
    2. John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 209-226, December.
    3. Karp, Larry S. & Perloff, Jeffery M., 1993. "Legal requirements that artists receive resale royalties," International Review of Law and Economics, Elsevier, vol. 13(2), pages 163-177, June.
    4. Ginsburgh, Victor, 2005. "The Economic Consequences of Droit De Suite in the European Union," Economic Analysis and Policy, Elsevier, vol. 35(1-2), pages 61-71, March/Sep.
    5. Jianping Mei & Michael Moses, 2002. "Art as an Investment and the Underperformance of Masterpieces," American Economic Review, American Economic Association, vol. 92(5), pages 1656-1668, December.
    6. Chanont Banternghansa & Kathryn Graddy, 2011. "The impact of the Droit de Suite in the UK: an empirical analysis," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(2), pages 81-100, May.
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