Legal requirements that artists receive resale royalties
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Bibliographic InfoArticle provided by Elsevier in its journal International Review of Law and Economics.
Volume (Year): 13 (1993)
Issue (Month): 2 (June)
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Web page: http://www.elsevier.com/locate/irle
Other versions of this item:
- Karp, Larry & Perloff, Jeffrey M, 1992. "Legal Requirements that Artists Receive Resale Royalties," Department of Agricultural & Resource Economics, UC Berkeley, Working Paper Series qt33f9k5bw, Department of Agricultural & Resource Economics, UC Berkeley.
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- Chanont Banternghansa & Kathryn Graddy, 2011.
"The impact of the Droit de Suite in the UK: an empirical analysis,"
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- Banternghansa, Chanont & Graddy, Kathryn, 2009. "The Impact of the Droit de Suite in the UK: An Empirical Analysis," CEPR Discussion Papers 7136, C.E.P.R. Discussion Papers.
- Dr Jon D. Stanford, 2002.
"Economic Analysis of the Droit de Suite - The Artist's Resale Royalty,"
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- John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer, vol. 22(4), pages 209-226, December.
- Christian Jansen, 2003. "Economic Effects of the New German Copyright Contract Law," Law and Economics 0302003, EconWPA.
- Michael Rushton, 2001. "The Law and Economics of Artists' Inalienable Rights," Journal of Cultural Economics, Springer, vol. 25(4), pages 243-257, November.
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