Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster
Author
Abstract
Suggested Citation
Note: IO LE
Download full text from publisher
References listed on IDEAS
- Rob, Rafael & Waldfogel, Joel, 2006.
"Piracy on the High C's: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students,"
Journal of Law and Economics, University of Chicago Press, vol. 49(1), pages 29-62, April.
- Rafael Rob & Joel Waldfogel, 2004. "Piracy on the High C's: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students," NBER Working Papers 10874, National Bureau of Economic Research, Inc.
- Mortimer, Julie Holland & Nosko, Chris & Sorensen, Alan, 2012.
"Supply responses to digital distribution: Recorded music and live performances,"
Information Economics and Policy, Elsevier, vol. 24(1), pages 3-14.
- Julie Holland Mortimer & Chris Nosko & Alan Sorensen, 2010. "Supply Responses to Digital Distribution: Recorded Music and Live Performances," NBER Working Papers 16507, National Bureau of Economic Research, Inc.
- Felix Oberholzer-Gee & Koleman Strumpf, 2007. "The Effect of File Sharing on Record Sales: An Empirical Analysis," Journal of Political Economy, University of Chicago Press, vol. 115(1), pages 1-42.
- Liebowitz, Stan J, 2006. "File Sharing: Creative Destruction or Just Plain Destruction?," Journal of Law and Economics, University of Chicago Press, vol. 49(1), pages 1-28, April.
- Connolly, Marie & Krueger, Alan B., 2006.
"Rockonomics: The Economics of Popular Music,"
Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 20, pages 667-719,
Elsevier.
- Marie Connolly & Alan B. Krueger, 2005. "Rockonomics: The Economics of Popular Music," Working Papers 878, Princeton University, Department of Economics, Industrial Relations Section..
- Marie Connolly & Alan B. Krueger, 2005. "Rockonomics: The Economics of Popular Music," NBER Working Papers 11282, National Bureau of Economic Research, Inc.
- Boldrin,Michele & Levine,David K., 2010.
"Against Intellectual Monopoly,"
Cambridge Books,
Cambridge University Press, number 9780521127264.
- Boldrin,Michele & Levine,David K., 2008. "Against Intellectual Monopoly," Cambridge Books, Cambridge University Press, number 9780521879286.
- Michele Boldrin & David K Levine, 2008. "Against Intellectual Monopoly," Levine's Bibliography 122247000000002371, UCLA Department of Economics.
- Zentner, Alejandro, 2006. "Measuring the Effect of File Sharing on Music Purchases," Journal of Law and Economics, University of Chicago Press, vol. 49(1), pages 63-90, April.
Citations
Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
Cited by:
- Xing Li & Megan MacGarvie & Petra Moser, 2014.
"Dead Poets’ Property - How Does Copyright Influence Price,"
Discussion Papers
14-001, Stanford Institute for Economic Policy Research.
- Xing Li & Megan MacGarvie & Petra Moser, 2015. "Dead Poet's Property - How Does Copyright Influence Price?," NBER Working Papers 21522, National Bureau of Economic Research, Inc.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2014.
"Piracy and Copyright Enforcement Mechanisms,"
Innovation Policy and the Economy, University of Chicago Press, vol. 14(1), pages 25-61.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Chapters, in: Innovation Policy and the Economy, Volume 14, pages 25-61, National Bureau of Economic Research, Inc.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Working Papers 19150, National Bureau of Economic Research, Inc.
- Wojciech Hardy & Michal Krawczyk & Joanna Tyrowicz, 2015.
"Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods,"
Working Papers
2015-23, Faculty of Economic Sciences, University of Warsaw.
- Michal Krawczyk & Joanna Tyrowicz & Wojciech Hardy, 2020. "Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods," GRAPE Working Papers 45, GRAPE Group for Research in Applied Economics.
- Huotari, Pontus & Järvi, Kati & Kortelainen, Samuli & Huhtamäki, Jukka, 2017. "Winner does not take all: Selective attention and local bias in platform-based markets," Technological Forecasting and Social Change, Elsevier, vol. 114(C), pages 313-326.
- Victor Ginsburgh, 2013.
"Mark Blaug and the economics of the arts,"
Chapters, in: Marcel Boumans & Matthias Klaes (ed.), Mark Blaug: Rebel with Many Causes, chapter 15, pages 208-224,
Edward Elgar Publishing.
- Victor Ginsburgh, 2012. "Mark Blaug and the Economics of the Arts," Working Papers ECARES ECARES 2012-012, ULB -- Universite Libre de Bruxelles.
- Victor Ginsburgh, 2013. "Mark Blaug and the Economics of the Arts," ULB Institutional Repository 2013/152120, ULB -- Universite Libre de Bruxelles.
- Joel Waldfogel, 2012. "Copyright Research in the Digital Age: Moving from Piracy to the Supply of New Products," American Economic Review, American Economic Association, vol. 102(3), pages 337-342, May.
- Markus Pasche, 2014. "Welfare Effects of Endogenous Copyright Enforcement - the Case of Digital Goods," Jena Economics Research Papers 2014-008, Friedrich-Schiller-University Jena.
- Handke, Christian & Girard, Yann & Mattes, Anselm, 2015. "Fördert das Urheberrecht Innovation? Eine empirische Untersuchung," Studien zum deutschen Innovationssystem 16-2015, Expertenkommission Forschung und Innovation (EFI) - Commission of Experts for Research and Innovation, Berlin.
- Christian Handke, 2013. "Empirical evidence on copyright," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 22, pages 249-261, Edward Elgar Publishing.
- Kim, Jin-Hyuk & Prince, Jeffrey & Qiu, Calvin, 2014.
"Indirect network effects and the quality dimension: A look at the gaming industry,"
International Journal of Industrial Organization, Elsevier, vol. 37(C), pages 99-108.
- Jin-Hyuk Kim & Jeffrey T. Prince & Calvin Qiu, 2013. "Indirect Network Effects and the Quality Dimension: A Look at the Gaming Industry," Working Papers 2013-10, Indiana University, Kelley School of Business, Department of Business Economics and Public Policy.
- Gans, Joshua S., 2015.
"“Selling Out” and the impact of music piracy on artist entry,"
Information Economics and Policy, Elsevier, vol. 32(C), pages 58-64.
- Joshua S. Gans, 2014. ""Selling Out" and the Impact of Music Piracy on Artist Entry," NBER Working Papers 20162, National Bureau of Economic Research, Inc.
- Susan Athey & Scott Stern, 2015.
"The Nature and Incidence of Software Piracy: Evidence from Windows,"
NBER Chapters, in: Economic Analysis of the Digital Economy, pages 443-477,
National Bureau of Economic Research, Inc.
- Susan Athey & Scott Stern, 2013. "The Nature and Incidence of Software Piracy: Evidence from Windows," NBER Working Papers 19755, National Bureau of Economic Research, Inc.
- Felix Oberholzer-Gee, 2011. "Copyright for the Digital Age - A Call for Legislative Reversibility," Swiss Journal of Economics and Statistics (SJES), Swiss Society of Economics and Statistics (SSES), vol. 147(IV), pages 417-425, December.
- Joel Waldfogel, 2012.
"Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster,"
Journal of Law and Economics, University of Chicago Press, vol. 55(4), pages 715-740.
- Joel Waldfogel, 2011. "Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster," NBER Working Papers 17503, National Bureau of Economic Research, Inc.
- Stefano Comino & Fabio Maria Manenti, 2015. "Intellectual Property and Innovation in Information and Communication Technology (ICT)," JRC Research Reports JRC97541, Joint Research Centre.
- Lee, Jonathan F., 2018.
"Purchase, pirate, publicize: Private-network music sharing and market album sales,"
Information Economics and Policy, Elsevier, vol. 42(C), pages 35-55.
- Jonathan Lee, 2018. "Purchase, Pirate, Publicize: Private-network Music Sharing And Market Album Sales," Working Paper 1354, Economics Department, Queen's University.
- Sanz, Esteve, 2015. "Copyright indicators and the costs of symbolic production: The cultural dimension of telecommunications policy," Telecommunications Policy, Elsevier, vol. 39(3), pages 208-217.
- Frosio, Giancarlo F., 2016. "Digital piracy debunked: a short note on digital threats and intermediary liability," Internet Policy Review: Journal on Internet Regulation, Alexander von Humboldt Institute for Internet and Society (HIIG), Berlin, vol. 5(1), pages 1-22.
- R. Hiller, 2014. "Exclusive Dealing and Its Effects: The Impact of Large Music Festivals on Local Music Venues," Review of Industrial Organization, Springer;The Industrial Organization Society, vol. 45(2), pages 153-175, September.
- Tyrowicz, Joanna & Krawczyk, Michal & Hardy, Wojciech, 2020. "Friends or foes? A meta-analysis of the relationship between “online piracy” and the sales of cultural goods," Information Economics and Policy, Elsevier, vol. 53(C).
- Joel Waldfogel, 2016. "Cinematic Explosion: New Products, Unpredictabilty and Realized Quality in the Digital Era," Journal of Industrial Economics, Wiley Blackwell, vol. 64(4), pages 755-772, December.
- Dzmitryieva, Arina, 2012. "How the law really works: The new sociology of law in Russia," economic sociology. perspectives and conversations, Max Planck Institute for the Study of Societies, vol. 13(2), pages 13-20.
- Handke, Christian, 2012. "Digital copying and the supply of sound recordings," Information Economics and Policy, Elsevier, vol. 24(1), pages 15-29.
- Dean Baker, 2016. "Working Paper: Rents and Inefficiency in the Patent and Copyright System: Is There a Better Route?," CEPR Reports and Issue Briefs 2016-12, Center for Economic and Policy Research (CEPR).
- Joel Waldfogel, 2015. "Digitization and the Quality of New Media Products: The Case of Music," NBER Chapters, in: Economic Analysis of the Digital Economy, pages 407-442, National Bureau of Economic Research, Inc.
Most related items
These are the items that most often cite the same works as this one and are cited by the same works as this one.- Joel Waldfogel, 2012.
"Music Piracy and Its Effects on Demand, Supply, and Welfare,"
Innovation Policy and the Economy, University of Chicago Press, vol. 12(1), pages 91-110.
- Joel Waldfogel, 2012. "Music Piracy and Its Effects on Demand, Supply, and Welfare," NBER Chapters, in: Innovation Policy and the Economy, Volume 12, pages 91-109, National Bureau of Economic Research, Inc.
- Leung, Tin Cheuk, 2015.
"Music piracy: Bad for record sales but good for the iPod?,"
Information Economics and Policy, Elsevier, vol. 31(C), pages 1-12.
- Leung, Tin Cheuk, 2012. "Music Piracy: Bad for Record Sales but Good for the iPod?," MPRA Paper 45772, University Library of Munich, Germany.
- Gans, Joshua S., 2015.
"“Selling Out” and the impact of music piracy on artist entry,"
Information Economics and Policy, Elsevier, vol. 32(C), pages 58-64.
- Joshua S. Gans, 2014. ""Selling Out" and the Impact of Music Piracy on Artist Entry," NBER Working Papers 20162, National Bureau of Economic Research, Inc.
- Lee, Jonathan F., 2018.
"Purchase, pirate, publicize: Private-network music sharing and market album sales,"
Information Economics and Policy, Elsevier, vol. 42(C), pages 35-55.
- Jonathan Lee, 2018. "Purchase, Pirate, Publicize: Private-network Music Sharing And Market Album Sales," Working Paper 1354, Economics Department, Queen's University.
- Mary J. Benner & Joel Waldfogel, 2016. "The Song Remains the Same? Technological Change and Positioning in the Recorded Music Industry," Strategy Science, INFORMS, vol. 1(3), pages 129-147, September.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2014.
"Piracy and Copyright Enforcement Mechanisms,"
Innovation Policy and the Economy, University of Chicago Press, vol. 14(1), pages 25-61.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Chapters, in: Innovation Policy and the Economy, Volume 14, pages 25-61, National Bureau of Economic Research, Inc.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Working Papers 19150, National Bureau of Economic Research, Inc.
- Joel Waldfogel, 2012.
"Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster,"
Journal of Law and Economics, University of Chicago Press, vol. 55(4), pages 715-740.
- Joel Waldfogel, 2011. "Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster," NBER Working Papers 17503, National Bureau of Economic Research, Inc.
- Joel Waldfogel, 2017. "How Digitization Has Created a Golden Age of Music, Movies, Books, and Television," Journal of Economic Perspectives, American Economic Association, vol. 31(3), pages 195-214, Summer.
- Felix Oberholzer-Gee & Koleman Strumpf, 2010. "File Sharing and Copyright," NBER Chapters, in: Innovation Policy and the Economy, Volume 10, pages 19-55, National Bureau of Economic Research, Inc.
- Bart Cammaerts & Bingchun Meng, 2011. "Creative destruction and copyright protection: regulatory responses to file-sharing," LSE Research Online Documents on Economics 33905, London School of Economics and Political Science, LSE Library.
- Robert G. Hammond, 2014. "Profit Leak? Pre‐Release File Sharing and the Music Industry," Southern Economic Journal, John Wiley & Sons, vol. 81(2), pages 387-408, October.
- Laurina Zhang, 2018. "Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry," Management Science, INFORMS, vol. 64(1), pages 24-42, January.
- Aguiar, Luis & Waldfogel, Joel, 2016. "Even the losers get lucky sometimes: New products and the evolution of music quality since Napster," Information Economics and Policy, Elsevier, vol. 34(C), pages 1-15.
- Herz, Benedikt & Kiljanski, Kamil, 2016. "Movie Piracy and Displaced Sales in Europe: Evidence from Six Countries," MPRA Paper 80817, University Library of Munich, Germany.
- Chao, Hong & Ho, Chun-Yu & Leung, Tin Cheuk & Ng, Travis, 2017.
"To root or not to root? The economics of jailbreak,"
Journal of Comparative Economics, Elsevier, vol. 45(3), pages 481-497.
- Leung, Tin Cheuk & Ng, Travis & Ho, Chun-Yu & Chao, Hong, 2013. "To Root or Not to Root? The Economics of Jailbreak," MPRA Paper 47409, University Library of Munich, Germany.
- Samuel Cameron, 2016.
"Past, present and future: music economics at the crossroads,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 40(1), pages 1-12, February.
- Samuel Cameron, 2016. "Past, present and future: music economics at the crossroads," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 40(1), pages 1-12, February.
- Christophe Bellégo & Romain De Nijs, 2020. "The Unintended Consequences of Antipiracy Laws on Markets with Asymmetric Piracy: The Case of the French Movie Industry," Information Systems Research, INFORMS, vol. 31(4), pages 1064-1086, December.
- Herings, P. Jean-Jacques & Peeters, Ronald & Yang, Michael S., 2018.
"Piracy on the Internet: Accommodate it or fight it? A dynamic approach,"
European Journal of Operational Research, Elsevier, vol. 266(1), pages 328-339.
- Herings, P.J.J. & Peeters, R.J.A.P. & Yang, M.., 2009. "Piracy on the internet: Accommodate it or fight it? -- A dynamic approach," Research Memorandum 034, Maastricht University, Maastricht Research School of Economics of Technology and Organization (METEOR).
- Joel Waldfogel, 2012. "Copyright Research in the Digital Age: Moving from Piracy to the Supply of New Products," American Economic Review, American Economic Association, vol. 102(3), pages 337-342, May.
- Sanz, Esteve, 2015. "Copyright indicators and the costs of symbolic production: The cultural dimension of telecommunications policy," Telecommunications Policy, Elsevier, vol. 39(3), pages 208-217.
More about this item
JEL classification:
- K11 - Law and Economics - - Basic Areas of Law - - - Property Law
- L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
Statistics
Access and download statisticsCorrections
All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:nbr:nberwo:16882. See general information about how to correct material in RePEc.
If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.
If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .
If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: the person in charge (email available below). General contact details of provider: https://edirc.repec.org/data/nberrus.html .
Please note that corrections may take a couple of weeks to filter through the various RePEc services.