The hero figure in Business and Cinema
Textbooks and manuals on management suggest that managers are heroes who deal with difficult problems of collective adaptation and change. American films are similarly built on the premise of a hero confronted with extremely difficult situations. What if this hero figure promoted for so long in both management literature and the American film industry was the same at the structural level? This paper will attempt to clearly define the performance of heroes that is perhaps shared by the imagination industry (Hollywood) and the image of human relations in the western industrial world. We shall follow this picture of the Manager as Hollywood Hero - or the Managerial-Hollywood Hero (MHH) - through multiple examples in both writings on management and American movies.
|Date of creation:||02 May 2012|
|Date of revision:|
|Publication status:||Published in The management-Hollywood Hero, May 2012, Paris, France|
|Note:||View the original document on HAL open archive server: https://halshs.archives-ouvertes.fr/halshs-00700131|
|Contact details of provider:|| Web page: https://hal.archives-ouvertes.fr/|
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- W. Edwards Deming, 2000. "Out of the Crisis," MIT Press Books, The MIT Press, edition 1, volume 1, number 0262541157, June.
When requesting a correction, please mention this item's handle: RePEc:hal:journl:halshs-00700131. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (CCSD)
If references are entirely missing, you can add them using this form.