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Generative AI and Copyright: A Dynamic Perspective

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  • S. Alex Yang
  • Angela Huyue Zhang

Abstract

The rapid advancement of generative AI is poised to disrupt the creative industry. Amidst the immense excitement for this new technology, its future development and applications in the creative industry hinge crucially upon two copyright issues: 1) the compensation to creators whose content has been used to train generative AI models (the fair use standard); and 2) the eligibility of AI-generated content for copyright protection (AI-copyrightability). While both issues have ignited heated debates among academics and practitioners, most analysis has focused on their challenges posed to existing copyright doctrines. In this paper, we aim to better understand the economic implications of these two regulatory issues and their interactions. By constructing a dynamic model with endogenous content creation and AI model development, we unravel the impacts of the fair use standard and AI-copyrightability on AI development, AI company profit, creators income, and consumer welfare, and how these impacts are influenced by various economic and operational factors. For example, while generous fair use (use data for AI training without compensating the creator) benefits all parties when abundant training data exists, it can hurt creators and consumers when such data is scarce. Similarly, stronger AI-copyrightability (AI content enjoys more copyright protection) could hinder AI development and reduce social welfare. Our analysis also highlights the complex interplay between these two copyright issues. For instance, when existing training data is scarce, generous fair use may be preferred only when AI-copyrightability is weak. Our findings underscore the need for policymakers to embrace a dynamic, context-specific approach in making regulatory decisions and provide insights for business leaders navigating the complexities of the global regulatory environment.

Suggested Citation

  • S. Alex Yang & Angela Huyue Zhang, 2024. "Generative AI and Copyright: A Dynamic Perspective," Papers 2402.17801, arXiv.org.
  • Handle: RePEc:arx:papers:2402.17801
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    References listed on IDEAS

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    5. Michela Giorcelli & Petra Moser, 2020. "Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age," NBER Working Papers 26885, National Bureau of Economic Research, Inc.
    6. Moser, Petra & Giorcelli, Michela, 2020. "Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age," CEPR Discussion Papers 14498, C.E.P.R. Discussion Papers.
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