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The Art of the Form: A Configurational Perspective

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  • Roy Suddaby
  • Ryan Young

Abstract

This essay offers a counterpoint to Le Breton–Miller and Miller's argument that family firms are the ideal organizational form for arts–based businesses and creative work. While the notion of the isolated, individual genius artist has certain romantic appeal, we offer evidence that demonstrates that considerable artistic creativity occurs within the context of a large diversified corporation, at the level of the industry and at the level of the cultural field.

Suggested Citation

  • Roy Suddaby & Ryan Young, 2015. "The Art of the Form: A Configurational Perspective," Entrepreneurship Theory and Practice, , vol. 39(6), pages 1371-1377, November.
    • Handle: RePEc:sae:entthe:v:39:y:2015:i:6:p:1371-1377
    DOI: 10.1111/etap.12181
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    References listed on IDEAS

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    1. Joseph Lampel & Theresa Lant & Jamal Shamsie, 2000. "Balancing Act: Learning from Organizing Practices in Cultural Industries," Organization Science, INFORMS, vol. 11(3), pages 263-269, June.
    2. Zellweger, Thomas M. & Eddleston, Kimberly A. & Kellermanns, Franz W., 2010. "Exploring the concept of familiness: Introducing family firm identity," Journal of Family Business Strategy, Elsevier, vol. 1(1), pages 54-63, March.
    3. Jess H. Chua & James J. Chrisman & Pramodita Sharma, 1999. "Defining the Family Business by Behavior," Entrepreneurship Theory and Practice, , vol. 23(4), pages 19-39, July.
    4. Gino Cattani & Simone Ferriani, 2008. "A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry," Organization Science, INFORMS, vol. 19(6), pages 824-844, December.
    5. Isabelle Le Breton–Miller & Danny Miller, 2015. "The Arts and Family Business: Linking Family Business Resources and Performance to Industry Characteristics," Entrepreneurship Theory and Practice, , vol. 39(6), pages 1349-1370, November.
    6. A J Scott, 1999. "The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy," Environment and Planning A, , vol. 31(11), pages 1965-1984, November.
    Full references (including those not matched with items on IDEAS)

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    Cited by:

    1. James J. Chrisman & Jess H. Chua & Isabelle Le Breton-Miller & Danny Miller & Lloyd P. Steier, 2018. "Governance Mechanisms and Family Firms," Entrepreneurship Theory and Practice, , vol. 42(2), pages 171-186, March.
    2. Lloyd P. Steier & James J. Chrisman & Jess H. Chua, 2015. "Governance Challenges in Family Businesses and Business Families," Entrepreneurship Theory and Practice, , vol. 39(6), pages 1265-1280, November.
    3. Dharmani, Pranav & Das, Satyasiba & Prashar, Sanjeev, 2021. "A bibliometric analysis of creative industries: Current trends and future directions," Journal of Business Research, Elsevier, vol. 135(C), pages 252-267.
    4. Mike W. Peng & Wei Sun & Cristina Vlas & Alessandro Minichilli & Guido Corbetta, 2018. "An Institution-Based View of Large Family Firms: A Recap and Overview," Entrepreneurship Theory and Practice, , vol. 42(2), pages 187-205, March.
    5. Antoni Olive-Tomas & Susan S. Harmeling, 2020. "The rise of art movements: an effectual process model of Picasso’s and Braque’s give-and-take during the creation of Cubism (1908–1914)," Small Business Economics, Springer, vol. 54(3), pages 819-842, March.

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