Hollywood for the 21st Century: Global Competition for Critical Mass in Image Markets
This article undertakes a critique of the arguments put forward by Michael Storper and Susan Christopherson which suggest that the development of Hollywood's motion picture industry can be understood in terms of the flexible specialization perspective. It puts forward an alternative perspective that views transformations in the film and media industries in terms, rather, of increasing globalism and corporate integration. This alternative approach is rooted in the particular properties of the media industries and media product. Copyright 1992 by Oxford University Press.
To our knowledge, this item is not available for
download. To find whether it is available, there are three
1. Check below under "Related research" whether another version of this item is available online.
2. Check on the provider's web page whether it is in fact available.
3. Perform a search for a similarly titled item that would be available.
Volume (Year): 16 (1992)
Issue (Month): 1 (March)
|Contact details of provider:|| Postal: |
Fax: 01865 267 985
Web page: http://www.cje.oupjournals.org/Email:
|Order Information:||Web: http://www.oup.co.uk/journals|
When requesting a correction, please mention this item's handle: RePEc:oup:cambje:v:16:y:1992:i:1:p:1-22. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Oxford University Press)or (Christopher F. Baum)
If references are entirely missing, you can add them using this form.