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Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa

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  • J. Snowball

Abstract

In the New South Africa, as in other developing countries, the equitable distribution of public resources is a priority. The case for public support of the arts is thus difficult to make because it has been shown and borne out by South African research, that arts audiences tend to represent the better educated, more prosperous minority of society, not the majority of the very poor, mainly African-origin population. Using data from willingness to pay studies conducted at two South African arts festivals, this paper shows that, when the positive externalities provided by the arts are included in their valuation, it can be shown that both high and low income earners benefit. However, as suggested by Seaman (2003), it is also found that some of what the WTP figure is capturing is current and expected future economic benefit from the event. Copyright Springer Science + Business Media, Inc. 2005

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  • J. Snowball, 2005. "Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(2), pages 107-125, May.
    • Handle: RePEc:kap:jculte:v:29:y:2005:i:2:p:107-125
    DOI: 10.1007/s10824-005-5064-5
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    Cited by:

    1. María Palma & Luis Palma & Luis Aguado, 2013. "Determinants of cultural and popular celebration attendance: the case study of Seville Spring Fiestas," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(1), pages 87-107, February.
    2. Renuka Mahadevan, 2017. "Going beyond the economic impact of a regional folk festival for tourism," Tourism Economics, , vol. 23(4), pages 744-755, June.
    3. Wiśniewska Aleksandra, 2019. "Quality attributes in the non-market stated-preference based valuation of cultural goods," Central European Economic Journal, Sciendo, vol. 6(53), pages 132-150, January.
    4. Anna Alberini & Alberto Longo, 2007. "Valuing the Cultural Monuments of Armenia: Bayesian Updating of Prior Beliefs in Contingent Valuation," Working Papers 2007.36, Fondazione Eni Enrico Mattei.
    5. Chris van Heerden & Melville Saayman, 2018. "Sustainability of a national arts festival," Tourism Economics, , vol. 24(5), pages 576-592, August.
    6. Victoria Ateca-Amestoy & Arantza Gorostiaga & Máximo Rossi, 2020. "Motivations and barriers to heritage engagement in Latin America: tangible and intangible dimensions," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 397-423, September.
    7. Godwin Kofi Vondolia & Albert Mensah Kusi & Sylvana Rudith King & Ståle Navrud, 2022. "Valuing Intangible Cultural Heritage in Developing Countries," Sustainability, MDPI, vol. 14(8), pages 1-20, April.
    8. Alberini, Anna & Longo, Alberto, 2007. "Valuing the Cultural Monuments of Armenia: Bayesian Updating of Prior Beliefs in Contingent Valuation," Sustainability Indicators and Environmental Valuation Working Papers 9337, Fondazione Eni Enrico Mattei (FEEM).
    9. J. Snowball & M. Jamal & K. Willis, 2010. "Cultural Consumption Patterns in South Africa: An Investigation of the Theory of Cultural Omnivores," Social Indicators Research: An International and Interdisciplinary Journal for Quality-of-Life Measurement, Springer, vol. 97(3), pages 467-483, July.

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