IDEAS home Printed from https://ideas.repec.org/f/pma1473.html
   My authors  Follow this author

Christopher J. Maule

Personal Details

First Name:Christopher
Middle Name:J.
Last Name:Maule
Suffix:
RePEc Short-ID:pma1473
[This author has chosen not to make the email address public]

Affiliation

Department of Economics
Carleton University

Ottawa, Canada
http://www.carleton.ca/economics/
RePEc:edi:decarca (more details at EDIRC)

Research output

as
Jump to: Working papers Articles Chapters

Working papers

  1. Acheson, Keith & Maule, Christopher, 2003. "Canada - audiovisual policies: Impact on trade," HWWA Reports 228, Hamburg Institute of International Economics (HWWA).
  2. Keith Acheson & Christopher Maule, 2003. "Convention on Cultural Diversity," Carleton Economic Papers 03-05, Carleton University, Department of Economics.
  3. Keith Acheson & Christopher Maule, 2002. "Cutural Issues in Trade Agreements: multiculturalism, liberalism and the NICD initiative," Carleton Economic Papers 02-07, Carleton University, Department of Economics.
  4. Christopher Maule, 2002. "Rhetoric and reality - the debate over trade and culture," Carleton Economic Papers 02-02, Carleton University, Department of Economics.
  5. Keith Acheson & Christopher J. Maule, 2000. "The Proprietary Rights Initiatives in Canadian Film Distribution Policy," Carleton Economic Papers 00-03, Carleton University, Department of Economics.
  6. Maule, C., 2000. "Bankruptcy, Corporate Governance and Competition -Some Important Links," Working Papers 24, John Deutsch Institute for the Study of Economic Policy.
  7. Maule, C., 1999. "Competition Policy for the Year 2000," Working Papers 21, John Deutsch Institute for the Study of Economic Policy.
  8. Keith Acheson & Christopher Maule, 1998. "The Culture of Protection and the Protection of Culture - A Canadian Perspective in 1998," Carleton Industrial Organization Research Unit (CIORU) 98-01, Carleton University, Department of Economics.
  9. Keith Acheson & christopher Maule & E. Filleul, 1996. "Cultural Entrepreneurship and the Banff Television Festival," Carleton Industrial Organization Research Unit (CIORU) 97-02, Carleton University, Department of Economics.
  10. Keith Acheson & Christopher Maule, 1996. "Canada's Cultural Policies ; You Can't Have it Both Ways," Carleton Industrial Organization Research Unit (CIORU) 96-03, Carleton University, Department of Economics.
  11. Keith Acheson & Christopher Maule, 1996. "Canada's Cultural Exemption : Insulator of Lighting Rod?," Carleton Industrial Organization Research Unit (CIORU) 96-01, Carleton University, Department of Economics.
  12. Keith Acheson & Christopher Maule, 1995. "International Agreements and Cultural Industries," Carleton Industrial Organization Research Unit (CIORU) 95-03, Carleton University, Department of Economics.
  13. Keith Acheson & Christopher Maule, 1994. "Understanding Hollywood's Organization and Continuing Sucess," Carleton Industrial Organization Research Unit (CIORU) 94-07, Carleton University, Department of Economics.
  14. Keith Acheson & Christopher Maule, 1993. "International Regimes for Trade, Copyright and Investment in Film and Television," Carleton Industrial Organization Research Unit (CIORU) 93-02, Carleton University, Department of Economics.
  15. Keith Acheson & christopher Maule, 1992. "The Business Side of a Television Festival," Carleton Industrial Organization Research Unit (CIORU) 92-02, Carleton University, Department of Economics.
  16. Keith Acheson & Christopher Maule, 1990. "The Higgledy-Pigglely Trade Environment Fro Films And Programs: The Canadian Example," Carleton Industrial Organization Research Unit (CIORU) 89-12, Carleton University, Department of Economics.
  17. Keith Acheson & Christopher Maule, 1990. "It Seemed Like A Good Idea At The Time," Carleton Industrial Organization Research Unit (CIORU) 90-03, Carleton University, Department of Economics.
  18. KEITH ACHESON & Christopher Maule, 1989. "Trade Policy Responses To New Technology In The Film And Television Industry," Carleton Industrial Organization Research Unit (CIORU) 89-01, Carleton University, Department of Economics.
  19. KEITH ACHESON & Christopher Maule, 1989. "Canadian Content Rules: Inescapable Truths Or Escapable Myths," Carleton Industrial Organization Research Unit (CIORU) 89-05, Carleton University, Department of Economics.
  20. Christopher Maule & Tom Ross, 1988. "Canada'S New Competition Policy," Carleton Industrial Organization Research Unit (CIORU) 88-03, Carleton University, Department of Economics.
  21. Christopher Maule & Philippe Cyrenne, 1986. "The Petroleum Inquiry (The Third CIORU Roundtable)," Carleton Industrial Organization Research Unit (CIORU) 86-10, Carleton University, Department of Economics.
  22. Litvak, I.A & Maule, C.J, 1977. "Transnational corporations in the bauxite-aluminium industry: with special reference to the Caribbean," Sede de la CEPAL en Santiago (Estudios e Investigaciones) 32984, Naciones Unidas Comisión Económica para América Latina y el Caribe (CEPAL).
  23. Keith Acheson & Christopher Maule, "undated". "Risk and the Transfer Cost of a Tax Shelter," Carleton Industrial Organization Research Unit (CIORU) 94-02, Carleton University, Department of Economics.
  24. Keith Acheson & Christopher Maule, "undated". "Copyright, Contract and NAFTA," Carleton Industrial Organization Research Unit (CIORU) 94-01, Carleton University, Department of Economics.

Articles

  1. Keith Acheson & Christopher Maule, 2004. "Convention on Cultural Diversity," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 243-256, November.
  2. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.
  3. Keith Acheson & Christopher Maule, 1996. "Viewers' Choice: THe Effects of Technology, Geography and Policy," Canadian Journal of Economics, Canadian Economics Association, vol. 29(s1), pages 610-613, April.
  4. Keith Acheson & Christopher Maule, 1990. "Canadian Content Rules: A Time for Reconsideration," Canadian Public Policy, University of Toronto Press, vol. 16(3), pages 284-297, September.
  5. Keith Acheson & Christopher Maule & Elizabet Filled, 1989. "Folly of Quotas on Films and Television Programmes," The World Economy, Wiley Blackwell, vol. 12(4), pages 515-524, December.
  6. Isaih A Litvak & Christopher J Maule, 1984. "Assessing Industry Concentration: The Case of Aluminium," Journal of International Business Studies, Palgrave Macmillan;Academy of International Business, vol. 15(1), pages 97-104, March.
  7. Isaiah A Litvak & Christopher J Maule, 1976. "Comparative Technical Entrepreneurship: Some Perspectives," Journal of International Business Studies, Palgrave Macmillan;Academy of International Business, vol. 7(1), pages 31-38, March.
  8. Litvak, Isaiah A. & Maule, Christopher J., 1974. "Canadian-United States Corporate Interface and Transnational Relations," International Organization, Cambridge University Press, vol. 28(4), pages 711-731, October.
  9. Maule, C J, 1970. "Antitrust and the Takeover Activity of American Firms in Canada: A Final Comment," Journal of Law and Economics, University of Chicago Press, vol. 13(1), pages 261-261, April.
  10. I.A. Litvak & C.J. Maule, 1969. "Conflict resolution and extraterritoriality," Journal of Conflict Resolution, Peace Science Society (International), vol. 13(3), pages 305-319, September.
  11. Maule, C J, 1969. "Antitrust and the Takeover Activity of American Firms in Canada: A Rejoinder," Journal of Law and Economics, University of Chicago Press, vol. 12(2), pages 419-424, October.

Chapters

  1. Christopher Maule, 2011. "Television," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 58, Edward Elgar Publishing.
  2. Acheson, Keith & Maule, Christopher, 2006. "Culture in International Trade," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 33, pages 1141-1182, Elsevier.

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Working papers

  1. Keith Acheson & Christopher Maule, 2003. "Convention on Cultural Diversity," Carleton Economic Papers 03-05, Carleton University, Department of Economics.

    Cited by:

    1. Stephanie Lu Wang & Qian Gu & Mary Ann Glinow & Paul Hirsch, 2020. "Cultural industries in international business research: Progress and prospect," Journal of International Business Studies, Palgrave Macmillan;Academy of International Business, vol. 51(4), pages 665-692, June.
    2. Aubert, Cècile & Bardhan, Pranab & Dayton-Johnson, Jeff, 2003. "Artfilms, Handicrafts and Other Cultural Goods: The Case for Subsidy," Department of Economics, Working Paper Series qt62n4f3bh, Department of Economics, Institute for Business and Economic Research, UC Berkeley.
    3. Frederick Ploeg, 2004. "Comment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 257-261, November.
    4. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.
    5. Naoto Jinji & Ayumu Tanaka, 2020. "How does UNESCO’s Convention on Cultural Diversity affect trade in cultural goods?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(4), pages 625-660, December.
    6. Lelio Iapadre, 2004. "Comment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 267-273, November.
    7. Charles H. Davis, 2011. "The Toronto Media Cluster: Between Culture and Commerce," Chapters, in: Charlie Karlsson & Robert G. Picard (ed.), Media Clusters, chapter 10, Edward Elgar Publishing.

  2. Keith Acheson & christopher Maule & E. Filleul, 1996. "Cultural Entrepreneurship and the Banff Television Festival," Carleton Industrial Organization Research Unit (CIORU) 97-02, Carleton University, Department of Economics.

    Cited by:

    1. Maria Lusiani & Gianluca D'Inca' Levis, 2016. "Keeping tensions up: A reflexive analysis of the (strategy)-making-of Dolomiti Contemporanee," Working Papers 3, Department of Management, Università Ca' Foscari Venezia.
    2. Giuseppe Attanasi & Francesco Passarelli & Giulia Urso & Hana Cosic, 2019. "Privatization of a Tourism Event: Do Attendees Perceive it as a Risky Cultural Lottery?," Sustainability, MDPI, vol. 11(9), pages 1-16, May.
    3. Mark Blaug & Ruth Towse, 2011. "Cultural Entrepreneurship," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 22, Edward Elgar Publishing.
    4. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.

  3. Keith Acheson & Christopher Maule, 1996. "Canada's Cultural Exemption : Insulator of Lighting Rod?," Carleton Industrial Organization Research Unit (CIORU) 96-01, Carleton University, Department of Economics.

    Cited by:

    1. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.

  4. Keith Acheson & Christopher Maule, 1994. "Understanding Hollywood's Organization and Continuing Sucess," Carleton Industrial Organization Research Unit (CIORU) 94-07, Carleton University, Department of Economics.

    Cited by:

    1. Ronny Behrens & Natasha Zhang Foutz & Michael Franklin & Jannis Funk & Fernanda Gutierrez-Navratil & Julian Hofmann & Ulrike Leibfried, 2021. "Leveraging analytics to produce compelling and profitable film content," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(2), pages 171-211, June.
    2. W. D. Walls, "undated". "The market for motion pictures in Thailand: Rank, revenue, and survival at the box office," Working Papers 2014-54, Department of Economics, University of Calgary, revised 23 Sep 2014.
    3. Giuseppe Delmestri & Fabrizio Montanari & Alessandro Usai, 2005. "Reputation and Strength of Ties in Predicting Commercial Success and Artistic Merit of Independents in the Italian Feature Film Industry," Journal of Management Studies, Wiley Blackwell, vol. 42(5), pages 975-1002, July.
    4. Wen-jhan Jane & Wei-peng Chen & Yuan-lin Hsu, 2015. "The impact of deregulation on the movie box office after Taiwan’s entry into the WTO: the difference-in-differences estimation," Eurasian Business Review, Springer;Eurasia Business and Economics Society, vol. 5(2), pages 289-308, December.

  5. Keith Acheson & christopher Maule, 1992. "The Business Side of a Television Festival," Carleton Industrial Organization Research Unit (CIORU) 92-02, Carleton University, Department of Economics.

    Cited by:

    1. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.

  6. Christopher Maule & Tom Ross, 1988. "Canada'S New Competition Policy," Carleton Industrial Organization Research Unit (CIORU) 88-03, Carleton University, Department of Economics.

    Cited by:

    1. Thomas Ross, 1998. "Introduction: The Evolution of Competition Law in Canada," Review of Industrial Organization, Springer;The Industrial Organization Society, vol. 13(1), pages 1-23, April.

Articles

  1. Keith Acheson & Christopher Maule, 2004. "Convention on Cultural Diversity," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 243-256, November.
    See citations under working paper version above.
  2. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.
    See citations under working paper version above.
  3. Keith Acheson & Christopher Maule, 1990. "Canadian Content Rules: A Time for Reconsideration," Canadian Public Policy, University of Toronto Press, vol. 16(3), pages 284-297, September.

    Cited by:

    1. Martin Richardson & Simon Wilkie, 2013. "Faddists, enthusiasts and Canadian divas:a model of the recorded music market," ANU Working Papers in Economics and Econometrics 2013-600, Australian National University, College of Business and Economics, School of Economics.
    2. C. Leigh Anderson, 1992. "Canadian Content Laws and Programming Diversity," Canadian Public Policy, University of Toronto Press, vol. 18(2), pages 166-175, June.
    3. Martin Richardson, 2004. "Cultural quotas in broadcasting I: a model," ANU Working Papers in Economics and Econometrics 2004-442, Australian National University, College of Business and Economics, School of Economics.
    4. Martin Richardson & Simon Wilkie, 2017. "Faddists, Enthusiasts and Canadian Divas: Broadcasting Quotas and the Supply Response," World Scientific Book Chapters, in: Dimensions of Trade Policy, chapter 4, pages 73-104, World Scientific Publishing Co. Pte. Ltd..
    5. Martin Richardson, 2004. "Cultural quotas in broadcasting II: policy," ANU Working Papers in Economics and Econometrics 2004-443, Australian National University, College of Business and Economics, School of Economics.
    6. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.

  4. Keith Acheson & Christopher Maule & Elizabet Filled, 1989. "Folly of Quotas on Films and Television Programmes," The World Economy, Wiley Blackwell, vol. 12(4), pages 515-524, December.

    Cited by:

    1. Jörn Kruse, 1994. "The EC-US trade conflict over film and television software," Intereconomics: Review of European Economic Policy, Springer;ZBW - Leibniz Information Centre for Economics;Centre for European Policy Studies (CEPS), vol. 29(6), pages 284-291, November.

  5. Isaiah A Litvak & Christopher J Maule, 1976. "Comparative Technical Entrepreneurship: Some Perspectives," Journal of International Business Studies, Palgrave Macmillan;Academy of International Business, vol. 7(1), pages 31-38, March.

    Cited by:

    1. Nerlinger, Eric A., 1995. "Die Gründungsdynamik in technologieorientierten Industrien: Eine Analyse der IAB-Beschäftigtenstatistik," ZEW Discussion Papers 95-17, ZEW - Leibniz Centre for European Economic Research.
    2. Yenni Viviana Duque Orozco & Carolina Ortiz Riaga, 2011. "La actividad empresarial del Graduado Neogranadino," Revista Facultad de Ciencias Económicas, Universidad Militar Nueva Granada, June.

Chapters

  1. Acheson, Keith & Maule, Christopher, 2006. "Culture in International Trade," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 33, pages 1141-1182, Elsevier.

    Cited by:

    1. Martin Richardson & Simon Wilkie, 2013. "Faddists, enthusiasts and Canadian divas:a model of the recorded music market," ANU Working Papers in Economics and Econometrics 2013-600, Australian National University, College of Business and Economics, School of Economics.
    2. Jaeok Park, 2015. "Cultural Barriers in International Trade and the," Korean Economic Review, Korean Economic Association, vol. 31, pages 267-300.
    3. Ruth Towse, 2011. "Creative Industries," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 17, Edward Elgar Publishing.
    4. A.L. Keith Acheson, 2010. "Globalization," Carleton Economic Papers 10-01, Carleton University, Department of Economics.
    5. Isidoro Mazza, 2003. "Public choice," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, chapter 49, Edward Elgar Publishing.
    6. Joel Waldfogel, 2019. "Dining Out as Cultural Trade," NBER Working Papers 26020, National Bureau of Economic Research, Inc.
    7. Christopher Maule, 2003. "Television," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, chapter 58, Edward Elgar Publishing.
    8. Perona, Mathieu, 2010. "How Broadcasting Quotas Harm Program Diversity," MPRA Paper 19860, University Library of Munich, Germany.

More information

Research fields, statistics, top rankings, if available.

Statistics

Access and download statistics for all items

Co-authorship network on CollEc

NEP Fields

NEP is an announcement service for new working papers, with a weekly report in each of many fields. This author has had 3 papers announced in NEP. These are the fields, ordered by number of announcements, along with their dates. If the author is listed in the directory of specialists for this field, a link is also provided.
  1. NEP-LAW: Law and Economics (3) 2000-08-07 2002-06-13 2003-07-13
  2. NEP-IND: Industrial Organization (1) 2000-08-07

Corrections

All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. For general information on how to correct material on RePEc, see these instructions.

To update listings or check citations waiting for approval, Christopher J. Maule should log into the RePEc Author Service.

To make corrections to the bibliographic information of a particular item, find the technical contact on the abstract page of that item. There, details are also given on how to add or correct references and citations.

To link different versions of the same work, where versions have a different title, use this form. Note that if the versions have a very similar title and are in the author's profile, the links will usually be created automatically.

Please note that most corrections can take a couple of weeks to filter through the various RePEc services.

IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.