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Cultural Entrepreneurship and the Banff Television Festival

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Abstract

We began this paper by crawing attention to the need for an economic framework for gathering information about and assessing cultural initiatives. A start towards developing economics based categories and pressure points for institutional sutdies followed. Finally, we applied this approach to the Banff Television festival.

Suggested Citation

  • Keith Acheson & christopher Maule & E. Filleul, 1996. "Cultural Entrepreneurship and the Banff Television Festival," Carleton Industrial Organization Research Unit (CIORU) 97-02, Carleton University, Department of Economics.
  • Handle: RePEc:car:ciorup:97-02
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    References listed on IDEAS

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    1. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.
    2. Alfred D. Chandler, 1969. "Strategy and Structure: Chapters in the History of the American Industrial Enterprise," MIT Press Books, The MIT Press, edition 1, volume 1, number 0262530090, January.
    3. Keith Acheson & christopher Maule, 1992. "The Business Side of a Television Festival," Carleton Industrial Organization Research Unit (CIORU) 92-02, Carleton University, Department of Economics.
    4. Keith Acheson & Christopher Maule, 1996. "Canada's Cultural Exemption : Insulator of Lighting Rod?," Carleton Industrial Organization Research Unit (CIORU) 96-01, Carleton University, Department of Economics.
    5. Coase, R H, 1974. "The Lighthouse in Economics," Journal of Law and Economics, University of Chicago Press, vol. 17(2), pages 357-376, October.
    6. Keith Acheson & Christopher Maule, 1990. "Canadian Content Rules: A Time for Reconsideration," Canadian Public Policy, University of Toronto Press, vol. 16(3), pages 284-297, September.
    7. Coase, R H, 1979. "Payola in Radio and Television Broadcasting," Journal of Law and Economics, University of Chicago Press, vol. 22(2), pages 269-328, October.
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    Cited by:

    1. Maria Lusiani & Gianluca D'Inca' Levis, 2016. "Keeping tensions up: A reflexive analysis of the (strategy)-making-of Dolomiti Contemporanee," Working Papers 3, Department of Management, Università Ca' Foscari Venezia.
    2. Mark Blaug & Ruth Towse, 2011. "Cultural Entrepreneurship," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 22 Edward Elgar Publishing.
    3. Keith Acheson & Christopher Maule & Elizabet Filleul, 1996. "Cultural entrepreneurship and the Banff Television Festival," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.
    4. Giuseppe Attanasi & Hana Cosic & Francesco Passarelli & Giulia Urso, 2016. "Privatization of a tourism event: Do attendees perceive it as a risky cultural lottery?," Working Papers of BETA 2016-26, Bureau d'Economie Théorique et Appliquée, UDS, Strasbourg.

    More about this item

    Keywords

    NON-PROFIT ORGANIZATIONS; CULTURAL INDUSTRY;

    JEL classification:

    • L31 - Industrial Organization - - Nonprofit Organizations and Public Enterprise - - - Nonprofit Institutions; NGOs; Social Entrepreneurship
    • Z10 - Other Special Topics - - Cultural Economics - - - General

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