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Why has cultural economics ignored copyright?

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  • Ruth Towse

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    File URL: http://hdl.handle.net/10.1007/s10824-008-9080-0
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    Bibliographic Info

    Article provided by Springer in its journal Journal of Cultural Economics.

    Volume (Year): 32 (2008)
    Issue (Month): 4 (December)
    Pages: 243-259

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    Handle: RePEc:kap:jculte:v:32:y:2008:i:4:p:243-259

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    Web page: http://www.springerlink.com/link.asp?id=100284

    Related research

    Keywords: Cultural economics; Copyright; Cultural policy; Z11; K11; O34; O38;

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    References

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    Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
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    1. Andrew Burke, 1996. "How effective are international copyright conventions in the music industry?," Journal of Cultural Economics, Springer, Springer, vol. 20(1), pages 51-66, March.
    2. Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 513-545, 09.
    3. Ypersele, T.P.M.C. van & Shavell, S., 1999. "Rewards versus Intellectual Property Rights," Discussion Paper, Tilburg University, Center for Economic Research 1999-26, Tilburg University, Center for Economic Research.
    4. Towse, Ruth, 2001. "Partly for the Money: Rewards and Incentives to Artists," Kyklos, Wiley Blackwell, vol. 54(2-3), pages 473-90.
    5. Throsby,David, 2000. "Economics and Culture," Cambridge Books, Cambridge University Press, number 9780521586399, 9.
    6. Landes, William M & Posner, Richard A, 1989. "An Economic Analysis of Copyright Law," The Journal of Legal Studies, University of Chicago Press, University of Chicago Press, vol. 18(2), pages 325-63, June.
    7. Pamela Samuelson, 1999. "Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws," Journal of Cultural Economics, Springer, Springer, vol. 23(1), pages 95-107, March.
    8. Victor Ginsburgh, . "The economic consequences of droit de suite in the European Union," ULB Institutional Repository 2013/5271, ULB -- Universite Libre de Bruxelles.
    9. Hal R. Varian, 2005. "Copying and Copyright," Journal of Economic Perspectives, American Economic Association, vol. 19(2), pages 121-138, Spring.
    10. Michele Boldrin & David Levine, 2002. "The Case Against Intellectual Property," American Economic Review, American Economic Association, vol. 92(2), pages 209-212, May.
    11. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer, Springer, vol. 25(4), pages 259-281, November.
    12. Cameron, Samuel & Collins, Alan, 1997. "Transaction costs and partnerships: The case of rock bands," Journal of Economic Behavior & Organization, Elsevier, vol. 32(2), pages 171-183, February.
    13. Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, 09.
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    Cited by:
    1. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
    2. Antonello E. Scorcu & Laura Vici, 2013. "Economic and cultural factors and illegal copying in the university textbook market," ACEI Working Paper Series AWP-01-2013, the Association for Cultural Economics International, revised Feb 2013.
    3. Michael O’Hare, 2008. "Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves," Journal of Cultural Economics, Springer, Springer, vol. 32(4), pages 281-291, December.

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