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The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?

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  • Michael Rushton

Abstract

An artist's moral rights consist of the right to be identified as the creator of a work (Attribution), the right to decide when and whether to publish the work (Disclosure), the right to withdraw a work from circulation (Withdrawal), and the right to preserve the integrity of the work (Integrity). As there are two main schools of thought on the monetary aspects of copyright, so are there two schools on moral rights. Canada embodies two legal traditions, and so provides an interesting case study of moral rights legislation. The main interests for economists studying moral rights are (i) the extent to which moral rights should be tied to monetary rights, and (ii) the extent to which moral rights should be alienable. Copyright Kluwer Academic Publishers 1998

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  • Michael Rushton, 1998. "The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(1), pages 15-32, March.
    • Handle: RePEc:kap:jculte:v:22:y:1998:i:1:p:15-32
    DOI: 10.1023/A:1007454719802
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    Cited by:

    1. Ruth Towse, 2010. "Creativity, Copyright and the Creative Industries Paradigm," Kyklos, Wiley Blackwell, vol. 63(3), pages 461-478, August.
    2. Melissa Boyle & Stacy Nazzaro & Debra O’Connor, 2010. "Moral rights protection for the visual arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(1), pages 27-44, February.
    3. Michael Rushton, 2011. "Artists’ Rights," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 8, Edward Elgar Publishing.
    4. Ruth Towse, 2008. "Why has cultural economics ignored copyright?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 243-259, December.
    5. Melissa Boyle & Debra O'Connor & Stacy Nazzaro, 2008. "Moral Rights Protection for the Visual Arts," Working Papers 0809, College of the Holy Cross, Department of Economics.
    6. Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, September.
    7. Robert B. Ekelund & Richard Higgins & John D. Jackson, 2020. "ART as meta-credence: authentication and the role of experts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(1), pages 155-171, March.
    8. Michael Rushton, 1999. "Methodological Individualism and Cultural Economics," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(3), pages 137-146, August.

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    More about this item

    Keywords

    moral rights; copyright; economic analysis of law;
    All these keywords.

    JEL classification:

    • Z1 - Other Special Topics - - Cultural Economics

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