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Copyright: A Plea for Empirical Research

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  • Ivan Png

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Paper provided by David K. Levine in its series Levine's Working Paper Archive with number 321307000000000484.

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Date of creation: 08 Oct 2006
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Handle: RePEc:cla:levarc:321307000000000484

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References

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  1. Zentner, Alejandro, 2006. "Measuring the Effect of File Sharing on Music Purchases," Journal of Law and Economics, University of Chicago Press, University of Chicago Press, vol. 49(1), pages 63-90, April.
  2. Patrick Legros, 2005. "Art and the Internet: Blessing the Curse?," NajEcon Working Paper Reviews, www.najecon.org 172782000000000001, www.najecon.org.
  3. Marron, Donald B & Steel, David G, 2000. "Which Countries Protect Intellectual Property? The Case of Software Piracy," Economic Inquiry, Western Economic Association International, Western Economic Association International, vol. 38(2), pages 159-74, April.
  4. Martin Peitz & Patrick Waelbroeck, 2004. "The Effect of Internet Piracy on CD Sales: Cross-Section Evidence," CESifo Working Paper Series, CESifo Group Munich 1122, CESifo Group Munich.
  5. Baker, Matthew J & Cunningham, Brendan M, 2006. "Court Decisions and Equity Markets: Estimating the Value of Copyright Protection," Journal of Law and Economics, University of Chicago Press, University of Chicago Press, vol. 49(2), pages 567-96, October.
  6. Kai-Lung Hui, 2002. "On the Supply of Creative Work: Evidence from the Movies," American Economic Review, American Economic Association, American Economic Association, vol. 92(2), pages 217-220, May.
  7. Stan J. Liebowitz & Stephen E. Margolis, 2005. "Seventeen Famous Economists Weigh In On Copyright: The Role Of Theory, Empirics, And Network Effects," Law and Economics, EconWPA 0505003, EconWPA.
  8. Mortimer, Julie Holland, 2007. "Price Discrimination, Copyright Law, and Technological Innovation: Evidence From The Introduction of DVDs," Scholarly Articles 3425914, Harvard University Department of Economics.
  9. Ray Corrigan & Mark Rogers, 2005. "The Economics of Copyright," World Economics, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 6(3), pages 153-174, July.
  10. Liebowitz, S J, 1985. "Copying and Indirect Appropriability: Photocopying of Journals," Journal of Political Economy, University of Chicago Press, University of Chicago Press, vol. 93(5), pages 945-57, October.
  11. Michele Boldrin & David K Levine, 2002. "The Case Against Intellectual Property," Levine's Working Paper Archive 618897000000000003, David K. Levine.
  12. Ivan Png & Qiu-hong Wang, 2007. "Copyright Duration and the Supply of Creative Work," Levine's Working Paper Archive 321307000000000478, David K. Levine.
  13. Rob, Rafael & Waldfogel, Joel, 2006. "Piracy on the High C's: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students," Journal of Law and Economics, University of Chicago Press, University of Chicago Press, vol. 49(1), pages 29-62, April.
  14. Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, Wiley Blackwell, vol. 20(4), pages 513-545, 09.
  15. Lonnie Stevans & David Sessions, 2005. "An Empirical Investigation Into the Effect of Music Downloading on the Consumer Expenditure of Recorded Music: A Time Series Approach," Journal of Consumer Policy, Springer, Springer, vol. 28(3), pages 311-324, 09.
  16. Zentner Alejandro, 2005. "File Sharing and International Sales of Copyrighted Music: An Empirical Analysis with a Panel of Countries," The B.E. Journal of Economic Analysis & Policy, De Gruyter, De Gruyter, vol. 5(1), pages 1-17, October.
  17. Hui Kai-Lung & Png Ivan, 2003. "Piracy and the Legitimate Demand for Recorded Music," The B.E. Journal of Economic Analysis & Policy, De Gruyter, De Gruyter, vol. 2(1), pages 1-24, September.
  18. Holm HÃ¥kan J., 2003. "Can economic theory explain piracy behavior?," The B.E. Journal of Economic Analysis & Policy, De Gruyter, De Gruyter, vol. 3(1), pages 1-18, April.
  19. Towse, Ruth, 2001. "Partly for the Money: Rewards and Incentives to Artists," Kyklos, Wiley Blackwell, Wiley Blackwell, vol. 54(2-3), pages 473-90.
  20. Hal R. Varian, 2005. "Copying and Copyright," Journal of Economic Perspectives, American Economic Association, American Economic Association, vol. 19(2), pages 121-138, Spring.
  21. Stan J. Liebowitz, 2005. "Economists Examine File-Sharing and Music Sales," Industrial Organization, EconWPA 0505001, EconWPA.
  22. David Galenson, 2005. "Anticipating Artistic Success," World Economics, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 6(2), pages 11-26, April.
  23. Belleflamme,Paul & Peitz,Martin, 2010. "Industrial Organization," Cambridge Books, Cambridge University Press, Cambridge University Press, number 9780521681599.
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Cited by:
  1. Pollock, Rufus, 2007. "Forever Minus a Day? Some Theory and Empirics of Optimal Copyright," MPRA Paper 5024, University Library of Munich, Germany, revised 07 Aug 2007.
  2. Sacha Wunsch-Vincent, 2013. "The economics of copyright and the internet: Moving to an empirical assessment relevant in the digital era," WIPO Economic Research Working Papers, World Intellectual Property Organization - Economics and Statistics Division 09, World Intellectual Property Organization - Economics and Statistics Division.
  3. Pollock, Rufus, 2008. "Forever Minus a Day? Theory and Empirics of Optimal Copyright Term," MPRA Paper 8887, University Library of Munich, Germany, revised 15 May 2008.

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