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How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives

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Stan J. Liebowitz
Richard Watt

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Abstract

The focus of this essay is to examine the market for copyrighted works with a particular emphasis on the sound recording market. This market is currently in a state of flux, some would say disarray, due to the ability of the Internet to lower transmission costs for both authorized and unauthorized copies, with the latter being, at this time, far more prevalent. In this essay we discuss the intent of copyright, the role of copying and file-sharing, and some alternative production/consumption schemes meant to strengthen or to replace copyright. Copyright 2006 The Authors Journal compilation © 2006 Blackwell Publishing Ltd.

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Article provided by Blackwell Publishing in its journal Journal of Economic Surveys.

Volume (Year): 20 (2006)
Issue (Month): 4 (09)
Pages: 513-545
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Handle: RePEc:bla:jecsur:v:20:y:2006:i:4:p:513-545

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  1. Ivan Png, 2006. "Copyright: A Plea for Empirical Research," Levine's Working Paper Archive 321307000000000484, David K. Levine. [Downloadable!]
  2. Giovanni Ramello & Francesco Silva, 2007. "New Directions in Copyright Law and Economics," Review of Law & Economics, Berkeley Electronic Press, vol. 3(3), pages 1. [Downloadable!] (restricted)
  3. Ruth Towse, 2008. "Why has cultural economics ignored copyright?," Journal of Cultural Economics, Springer, vol. 32(4), pages 243-259, December. [Downloadable!] (restricted)
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This page was last updated on 2009-10-29.


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