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The atmospherics of creativity: affective and spatial materiality in a designer’s studio

Author

Listed:
  • Margot Leclair

    (AMU - Aix Marseille Université, LEST - Laboratoire d'Economie et de Sociologie du Travail - AMU - Aix Marseille Université - CNRS - Centre National de la Recherche Scientifique)

Abstract

Encounters between materials and bodies matter throughout the creative process. This paper contends that creative work depends on these encounters generating and filling the atmosphere with affect. Based on an in-depth ethnography within a fashion design studio, the article empirically traces such affective encounters and corresponding atmospheres. In the studio, designing is performed through artefacts as well as experimental and collaborative gestures that inspire affective reactions and spark creative work. The creative body is part of a complex and atmospheric space where materials, bodies and external influences circulate via affective encounters and prompts. The analysis reveals the spatial and affective materiality of creativity and contributes to the recent interest in atmospheric organizational inquiry.

Suggested Citation

  • Margot Leclair, 2022. "The atmospherics of creativity: affective and spatial materiality in a designer’s studio," Post-Print hal-03552332, HAL.
  • Handle: RePEc:hal:journl:hal-03552332
    DOI: 10.1177/01708406221080141
    Note: View the original document on HAL open archive server: https://hal.science/hal-03552332
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    References listed on IDEAS

    as
    1. Maja Korica & Yoann Bazin, 2019. "Fashion and Organization Studies: Exploring conceptual paradoxes and empirical opportunities," Post-Print hal-02108885, HAL.
    2. Nathalie Louisgrand & Gazi Islam, 2020. "Tasting the Difference: A Relational-Epistemic Approach to Aesthetic Collaboration in Haute Cuisine," Grenoble Ecole de Management (Post-Print) hal-02887699, HAL.
    3. Nigel Thrift, 2008. "The Material Practices Of Glamour," Journal of Cultural Economy, Taylor & Francis Journals, vol. 1(1), pages 9-23, March.
    4. Nathalie Louisgrand & Gazi Islam, 2020. "Tasting the Difference: A Relational-Epistemic Approach to Aesthetic Collaboration in Haute Cuisine," Post-Print hal-02887699, HAL.
    Full references (including those not matched with items on IDEAS)

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    More about this item

    Keywords

    Creativity; affect; materiality; space; atmosphere; affective atmosphere;
    All these keywords.

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