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Passion, precarity and inequality? Working conditions of urban dancers in Colombia

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  • Sabogal Camargo, A.M.

Abstract

Cultural and Creative Industries is a growing sector that has been characterised to offer precarious working conditions. Nevertheless, as cultural work operates under the complex dilemma of passion and precarity, there is no clear understanding of how social policy can effectively support the increasing number of workers to overcome these circumstances. Therefore, any social policy that aims to provide protection needs to question how labour precarity is interpreted and managed, and what are the specific demands of the workers. By using a life history research and intersectional sensitivity, I analysed the working conditions of urban dancers in Bogotá from their subjective perspective. Seven participants of a different class, age, race, and gender were interviewed using online means, and a digital ethnography exploration of their social networks (Instagram, YouTube and Facebook) was conducted. With this research, I will argue that it is necessary to problematize the negative connotation of labour precarity because dancers experience their work circumstances according to their positionalities and context. The interconnection of different identity markers influences their perception of precarity and the strategies they used to manage it. Moreover, this diversity of experiences has revealed an enrooted problem of cultural work inequality. Regarding their demands, social policy should acknowledge their double facet of artist and worker when listening to their need. This is a process that includes addressing issues both for redistribution and recognition.

Suggested Citation

  • Sabogal Camargo, A.M., 2021. "Passion, precarity and inequality? Working conditions of urban dancers in Colombia," ISS Working Papers - General Series 135150, International Institute of Social Studies of Erasmus University Rotterdam (ISS), The Hague.
    • Handle: RePEc:ems:euriss:135150
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    References listed on IDEAS

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    1. George Morgan & Julian Wood & Pariece Nelligan, 2013. "Beyond the vocational fragments: Creative work, precarious labour and the idea of ‘Flexploitation’," The Economic and Labour Relations Review, , vol. 24(3), pages 397-415, September.
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    3. Mark Banks, 2019. "Precarity, Biography, and Event: Work and Time in the Cultural Industries," Sociological Research Online, , vol. 24(4), pages 541-556, December.
    4. Fraser, Nancy, 1998. "Social justice in the age of identity politics: Redistribution, recognition, participation," Discussion Papers, Research Unit: Organization and Employment FS I 98-108, WZB Berlin Social Science Center.
    5. Sophie Hennekam & Dawn Bennett, 2017. "Sexual Harassment in the Creative Industries: Tolerance, Culture and the Need for Change," Gender, Work and Organization, Wiley Blackwell, vol. 24(4), pages 417-434, July.
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    Keywords

    urban dance; Colombia; cultural work; cultural and creative industries; precarity; cultural justice; life history; intersectionality;
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