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The German art market during WW II

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Listed:
  • Jeroen Euwe
  • Kim Oosterlinck

Abstract

This paper investigates quantitatively the evolution of the German art market between 1937 and 1944. During the war, the boom observed in occupied countries offers a sharp contrast with the price evolution in the United Kingdom. Did the German art market show more similarities with the countries it was occupying or was its evolution closer to the British one? Our results show that the German art market underwent a boom during the war. Beyond the historical interest in the art market, this analysis also speaks to the larger debates on wartime economies and of artworks as wartime investments.

Suggested Citation

  • Jeroen Euwe & Kim Oosterlinck, 2023. "The German art market during WW II," ULB Institutional Repository 2013/372548, ULB -- Universite Libre de Bruxelles.
    • Handle: RePEc:ulb:ulbeco:2013/372548
    Note: SCOPUS: ar.j
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    References listed on IDEAS

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    1. Géraldine David & Yuexin Li & Kim Oosterlinck & Luc Renneboog, 2024. "Art in times of crisis," Economic History Review, Economic History Society, vol. 77(4), pages 1362-1413, November.
    2. Kim Oosterlinck, 2017. "Art as a Wartime Investment: Conspicuous Consumption and Discretion," Economic Journal, Royal Economic Society, vol. 127(607), pages 2665-2701, December.
    3. Kim Oosterlinck, 2017. "Art as a Wartime Investment: Conspicuous Consumption and Discretion," Economic Journal, Royal Economic Society, vol. 127(607), pages 2665-2701, December.
    4. Goetzmann, William N, 1993. "Accounting for Taste: Art and the Financial Markets over Three Centuries," American Economic Review, American Economic Association, vol. 83(5), pages 1370-1376, December.
    5. Corinna Czujack, 1997. "Picasso Paintings at Auction, 1963–1994," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 21(3), pages 229-247, September.
    6. Luc Renneboog & Christophe Spaenjers, 2013. "Buying Beauty: On Prices and Returns in the Art Market," Management Science, INFORMS, vol. 59(1), pages 36-53, February.
    7. Corinna Czujack, 1997. "Picasso paintings at auction, 1963-1994," ULB Institutional Repository 2013/193273, ULB -- Universite Libre de Bruxelles.
    8. Kim Oosterlinck & Anne-Sophie Radermecker, 2021. "Regulation or Reputation? Evidence from the Art Market," Working Papers CEB 21-006, ULB -- Universite Libre de Bruxelles.
    9. Anne-Sophie Radermecker, 2019. "Artworks without names: an insight into the market for anonymous paintings," ULB Institutional Repository 2013/296529, ULB -- Universite Libre de Bruxelles.
    10. Wolfe, Martin, 1955. "The Development of Nazi Monetary Policy," The Journal of Economic History, Cambridge University Press, vol. 15(4), pages 392-402, December.
    11. Pesando, James E, 1993. "Art as an Investment: The Market for Modern Prints," American Economic Review, American Economic Association, vol. 83(5), pages 1075-1089, December.
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    Cited by:

    1. Yuqing Song, 2026. "The art of the gift: provenance and the endowment effect in Chinese gift artworks," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 50(1), pages 129-158, March.

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