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L'industrie de la musique à l'âge Internet

Author

Listed:
  • Pierre-Jean Benghozi

    (CRG - Centre de recherche en gestion - X - École polytechnique - CNRS - Centre National de la Recherche Scientifique)

  • Thomas Paris

    (CRG - Centre de recherche en gestion - X - École polytechnique - CNRS - Centre National de la Recherche Scientifique)

Abstract

E-commerce generates specific market organizations of industrial activities. New economic business models and organisational patterns are not simply transfering designs conceived in traditional industries. Analyzing the case of music industry, we argue that the emerging of radically new market structures (portals, electronic market places, communities) has created original economic transactions (payment, contracts, investment process), incented new entrants to take place into cultural industries and heavily transformed competition and firms positions in the added value chain of music production and distribution. Consuming music on the internet leads to consumers differenciation, market disruption, splitting of payment rules and distribution channels.

Suggested Citation

  • Pierre-Jean Benghozi & Thomas Paris, 2001. "L'industrie de la musique à l'âge Internet," Post-Print hal-00262497, HAL.
    • Handle: RePEc:hal:journl:hal-00262497
    Note: View the original document on HAL open archive server: https://hal.science/hal-00262497
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    References listed on IDEAS

    as
    1. Eric Brousseau, 2002. "The Governance of Transactions by Commercial Intermediaries: An Analysis of the Re-engineering of Intermediation by Electronic Commerce," International Journal of the Economics of Business, Taylor & Francis Journals, vol. 9(3), pages 353-374.
    2. Pierre-Jean Benghozi & Thomas Paris, 1999. "Copyright and distribution channels : an attempt to model remuneration structures," Post-Print hal-00262517, HAL.
    Full references (including those not matched with items on IDEAS)

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