Why everything has changed: the recent revolution in cultural economics
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- Martin Richardson & Simon Wilkie, 2013. "Faddists, enthusiasts and Canadian divas:a model of the recorded music market," ANU Working Papers in Economics and Econometrics 2013-600, Australian National University, College of Business and Economics, School of Economics.
- Tyler Cowen, 2011. "Creative Economy," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 16 Edward Elgar Publishing.
- Martin Richardson & Simon Wilkie, 2015. "Faddists, Enthusiasts and Canadian Divas: Broadcasting Quotas and the Supply Response," Review of International Economics, Wiley Blackwell, vol. 23(2), pages 404-424, May.
- David McKenzie & Berk Özler, 2014. "Quantifying Some of the Impacts of Economics Blogs," Economic Development and Cultural Change, University of Chicago Press, vol. 62(3), pages 567-597.
- Karol Borowiecki & Juan Prieto-Rodriguez, 2015.
"Video games playing: A substitute for cultural consumptions?,"
Journal of Cultural Economics,
Springer;The Association for Cultural Economics International, vol. 39(3), pages 239-258, August.
- Karol Jan BOROWIECKI & Juan PRIETO-RODRIGUEZ, 2013. "Video Games Playing: A substitute for cultural consumptions?," Trinity Economics Papers tep0413, Trinity College Dublin, Department of Economics.
- Karol J. Borowiecki & Juan Prieto-Rodriguez, 2013. "Video Games Playing: A substitute for cultural consumptions?," ACEI Working Paper Series AWP-07-2013, Association for Cultural Economics International, revised Nov 2013.
- Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.
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KeywordsCulture; Economics; Internet; Free content;
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