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Theatre

In: A Handbook of Cultural Economics, Second Edition

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  • Daniel Urrutiaguer

Abstract

The second edition of this widely acclaimed and extensively cited collection of original contributions by specialist authors reflects changes in the field of cultural economics over the last eight years. Thoroughly revised chapters alongside new topics and contributors bring the Handbook up to date, taking into account new research, literature and the impact of new technologies in the creative industries.

Suggested Citation

  • Daniel Urrutiaguer, 2011. "Theatre," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 59, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:13789_59
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    References listed on IDEAS

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    1. Kristien Werck & Bruno Heyndels, 2007. "Programmatic choices and the demand for theatre: the case of Flemish theatres," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(1), pages 25-41, March.
    2. N/A, 1985. "Summary and Appraisal," National Institute Economic Review, National Institute of Economic and Social Research, vol. 113(1), pages 3-4, August.
    3. N/A, 1985. "Summary and Appraisal," National Institute Economic Review, National Institute of Economic and Social Research, vol. 111(1), pages 3-4, February.
    4. Marta Zieba, 2009. "Full-income and price elasticities of demand for German public theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(2), pages 85-108, May.
    5. Victoria Ateca-Amestoy, 2008. "Determining heterogeneous behavior for theater attendance," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(2), pages 127-151, June.
    6. Stefan Tobias, 2004. "Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(2), pages 109-124, May.
    7. N/A, 1985. "Summary and Appraisal," National Institute Economic Review, National Institute of Economic and Social Research, vol. 114(1), pages 3-5, November.
    8. John O’Hagan & Adriana Neligan, 2005. "State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(1), pages 35-57, February.
    9. N/A, 1985. "Summary and Appraisal," National Institute Economic Review, National Institute of Economic and Social Research, vol. 112(1), pages 3-4, May.
    10. Mervi Taalas, 1997. "Generalised Cost Functions for Producers of Performing Arts – Allocative Inefficiencies and Scale Economies in Theatres," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 21(4), pages 335-353, December.
    11. Heilbrun,James & Gray,Charles M., 2001. "The Economics of Art and Culture," Cambridge Books, Cambridge University Press, number 9780521637121.
    12. Xavier Castañer & Lorenzo Campos, 2002. "The Determinants of Artistic Innovation: Bringing in the Role of Organizations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(1), pages 29-52, February.
    13. Sacit Akdede & John King, 2006. "Demand for and productivity analysis of Turkish public theater," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(3), pages 219-231, December.
    14. Throsby, David, 1994. "The Production and Consumption of the Arts: A View of Cultural Economics," Journal of Economic Literature, American Economic Association, vol. 32(1), pages 1-29, March.
    15. Daniel Urrutiaguer, 2002. "Quality Judgements and Demand for French Public Theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(3), pages 185-202, August.
    16. David Maddison, 2005. "Are There Too Many Revivals on Broadway? A Stochastic Dominance Approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(4), pages 325-334, November.
    17. Jonathan Corning & Armando Levy, 2002. "Demand for Live Theater with Market Segmentation and Seasonality," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(3), pages 217-235, August.
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