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The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy

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  • Andrew Leyshon

    (School of Geography, University of Nottingham, Nottingham NG7 2RD, England)

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  • Andrew Leyshon, 2009. "The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy," Environment and Planning A, , vol. 41(6), pages 1309-1331, June.
  • Handle: RePEc:sae:envira:v:41:y:2009:i:6:p:1309-1331
    DOI: 10.1068/a40352
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    References listed on IDEAS

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    1. Zeitlyn, David, 2003. "Gift economies in the development of open source software: anthropological reflections," Research Policy, Elsevier, vol. 32(7), pages 1287-1291, July.
    2. Gernot Grabher, 2002. "Cool Projects, Boring Institutions: Temporary Collaboration in Social Context," Regional Studies, Taylor & Francis Journals, vol. 36(3), pages 205-214.
    3. Martin Dodge & Rob Kitchin, 2004. "Flying through Code/Space: The Real Virtuality of Air Travel," Environment and Planning A, , vol. 36(2), pages 195-211, February.
    4. Andrew Currah, 2006. "Hollywood versus the Internet: the media and entertainment industries in a digital and networked economy," Journal of Economic Geography, Oxford University Press, vol. 6(4), pages 439-468, August.
    5. Richard J. Sexton & Ian Sheldon & Steve McCorriston & Humei Wang, 2007. "Agricultural trade liberalization and economic development: the role of downstream market power," Agricultural Economics, International Association of Agricultural Economists, vol. 36(2), pages 253-270, March.
    6. Hertel, Guido & Niedner, Sven & Herrmann, Stefanie, 2003. "Motivation of software developers in Open Source projects: an Internet-based survey of contributors to the Linux kernel," Research Policy, Elsevier, vol. 32(7), pages 1159-1177, July.
    7. Johannes Gluckler, 2007. "Geography of Reputation: The City as the Locus of Business Opportunity," Regional Studies, Taylor & Francis Journals, vol. 41(7), pages 949-961.
    8. Allen Scott, 2002. "A new map of Hollywood: the production and distribution of American motion pictures," Regional Studies, Taylor & Francis Journals, vol. 36(9), pages 957-975.
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    Citations

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    Cited by:

    1. Rüling, Charles-Clemens & Duymedjian, Raffi, 2014. "Digital bricolage: Resources and coordination in the production of digital visual effects," Technological Forecasting and Social Change, Elsevier, vol. 83(C), pages 98-110.
    2. Orçun Kasap & Altug Yalcintas, 2021. "Commodification 2.0: How Does Spotify Provide Its Services for Free?," Review of Radical Political Economics, Union for Radical Political Economics, vol. 53(1), pages 157-172, March.
    3. von Krogh, Georg & Geilinger, Nina, 2014. "Knowledge creation in the eco-system: Research imperatives," European Management Journal, Elsevier, vol. 32(1), pages 155-163.
    4. Allan Watson & Jonathan V Beaverstock, 2016. "Transnational freelancing: Ephemeral creative projects and mobility in the music recording industry," Environment and Planning A, , vol. 48(7), pages 1428-1446, July.
    5. Rémy Guichardaz & Laurent Bach & Julien Penin, 2016. "Music industry intermediation in the digital era and the resilience of the majors’ oligopoly: The role of transactional capabilities," Working Papers of BETA 2016-47, Bureau d'Economie Théorique et Appliquée, UDS, Strasbourg.
    6. Rémy Guichardaz & Laurent Bach & Julien Penin, 2019. "Music industry intermediation in the digital era and the resilience of the Majors’ oligopoly: the role of transactional capability," Industry and Innovation, Taylor & Francis Journals, vol. 26(7), pages 843-869, August.
    7. Warr, Richard & Goode, Mark M.H., 2011. "Is the music industry stuck between rock and a hard place? The role of the Internet and three possible scenarios," Journal of Retailing and Consumer Services, Elsevier, vol. 18(2), pages 126-131.
    8. Yongren Shi & Yisook Lim & Chan S Suh, 2018. "Innovation or deviation? The relationship between boundary crossing and audience evaluation in the music field," PLOS ONE, Public Library of Science, vol. 13(10), pages 1-17, October.
    9. Hendrickson, Michael & Stanley Niaah, Sonjah, 2018. "A study on the creative industry as a pillar of sustained growth and diversification : the film and music sectors in Jamaica : lessons from case studies of successful firms and ventures," Studies and Perspectives – ECLAC Subregional Headquarters for The Caribbean 43410, Naciones Unidas Comisión Económica para América Latina y el Caribe (CEPAL).
    10. Arthur Price, 2016. "Leveraging Technology to Bridge the Gap between Independent Artists and Reaching the Right Consumer," Journal of Entrepreneurship and Innovation in Emerging Economies, Entrepreneurship Development Institute of India, vol. 2(2), pages 136-160, July.

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