Las Artes Escénicas y la Teoría General del Costo
[The Performing Arts and the Cost General Theory]
In this paper we analyze the production process of the performing arts (opera, dance and drama) and its relationship with the General Theory of Cost. In a first analysis refers to the Economy of Culture as a new discipline, as well as major contributions of the same. Subsequently conducted a study of the applicability of the cost volume to use the performing arts and proposes a technique for determining the equilibrium point. It also develops a methodology for studying the ociosidades emphasizing the relevance of an analysis of resources. We conclude that the cost per viewer, the subject of cost is frequently used, is not a valid decision of an entity, not being related to the framework of the General Theory of Cost
|Date of creation:||Dec 2005|
|Date of revision:|
|Contact details of provider:|| Postal: |
Web page: https://mpra.ub.uni-muenchen.de
More information through EDIRC
When requesting a correction, please mention this item's handle: RePEc:pra:mprapa:13742. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Ekkehart Schlicht)
If references are entirely missing, you can add them using this form.