Canadian Content Rules: A Time for Reconsideration
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- Martin Richardson & Simon Wilkie, 2013. "Faddists, enthusiasts and Canadian divas:a model of the recorded music market," ANU Working Papers in Economics and Econometrics 2013-600, Australian National University, College of Business and Economics, School of Economics.
- C. Leigh Anderson, 1992. "Canadian Content Laws and Programming Diversity," Canadian Public Policy, University of Toronto Press, vol. 18(2), pages 166-175, June.
- Keith Acheson & Christopher Maule & Elizabet Filleul, 1996.
"Cultural entrepreneurship and the Banff Television Festival,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 321-339, December.
- Keith Acheson & christopher Maule & E. Filleul, 1996. "Cultural Entrepreneurship and the Banff Television Festival," Carleton Industrial Organization Research Unit (CIORU) 97-02, Carleton University, Department of Economics.
- Martin Richardson, 2004. "Cultural quotas in broadcasting I: a model," ANU Working Papers in Economics and Econometrics 2004-442, Australian National University, College of Business and Economics, School of Economics.
- Martin Richardson & Simon Wilkie, 2017.
"Faddists, Enthusiasts and Canadian Divas: Broadcasting Quotas and the Supply Response,"
World Scientific Book Chapters, in: Dimensions of Trade Policy, chapter 4, pages 73-104,
World Scientific Publishing Co. Pte. Ltd..
- Martin Richardson & Simon Wilkie, 2015. "Faddists, Enthusiasts and Canadian Divas: Broadcasting Quotas and the Supply Response," Review of International Economics, Wiley Blackwell, vol. 23(2), pages 404-424, May.
- Martin Richardson, 2004. "Cultural quotas in broadcasting II: policy," ANU Working Papers in Economics and Econometrics 2004-443, Australian National University, College of Business and Economics, School of Economics.
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