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The structure of bias in peer voting systems: lessons from the Eurovision Song Contest

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  • Laura Spierdijk
  • Michel Vellekoop

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  • Laura Spierdijk & Michel Vellekoop, 2009. "The structure of bias in peer voting systems: lessons from the Eurovision Song Contest," Empirical Economics, Springer, vol. 36(2), pages 403-425, May.
    • Handle: RePEc:spr:empeco:v:36:y:2009:i:2:p:403-425
    DOI: 10.1007/s00181-008-0202-5
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    References listed on IDEAS

    as
    1. Victor A. Ginsburgh & Jan C. van Ours, 2003. "Expert Opinion and Compensation: Evidence from a Musical Competition," American Economic Review, American Economic Association, vol. 93(1), pages 289-296, March.
    2. Fenn, Daniel & Suleman, Omer & Efstathiou, Janet & Johnson, Neil F., 2006. "How does Europe Make Its Mind Up? Connections, cliques, and compatibility between countries in the Eurovision Song Contest," Physica A: Statistical Mechanics and its Applications, Elsevier, vol. 360(2), pages 576-598.
    3. Laurence R. Iannaccone, 1998. "Introduction to the Economics of Religion," Journal of Economic Literature, American Economic Association, vol. 36(3), pages 1465-1495, September.
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    Citations

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    Cited by:

    1. Nolan Kopkin & Andrew Roberts, 2022. "Biases in elections with well‐informed voters: Evidence from public voting for football awards," Social Science Quarterly, Southwestern Social Science Association, vol. 103(7), pages 1551-1571, December.
    2. Felbermayr, Gabriel J. & Toubal, Farid, 2010. "Cultural proximity and trade," European Economic Review, Elsevier, vol. 54(2), pages 279-293, February.
    3. Budzinski, Oliver & Gänßle, Sophia & Lindstädt-Dreusicke, Nadine, 2021. "Wettbewerb und Antitrust in Unterhaltungsmärkten," Ilmenau Economics Discussion Papers 147, Ilmenau University of Technology, Institute of Economics.
    4. Pannicke, Julia, 2015. "Abstimmungsverhalten im Bundesvision Song Contest: Regionale Nähe versus Qualität der Musik," Ilmenau Economics Discussion Papers 95, Ilmenau University of Technology, Institute of Economics.
    5. Steven Yamarik & Mariya Mileva, 2023. "Cultural institutes: Networks and determinants," The World Economy, Wiley Blackwell, vol. 46(4), pages 1119-1143, April.
    6. Asmat, Roberto & Borowiecki, Karol J. & Law, Marc T., 2023. "Do experts and laypersons differ? Some evidence from international classical music competitions," Journal of Economic Behavior & Organization, Elsevier, vol. 214(C), pages 270-290.
    7. Diarmuid B. Verrier, 2012. "Evidence for the influence of the mere-exposure effect on voting in the Eurovision Song Contest," Judgment and Decision Making, Society for Judgment and Decision Making, vol. 7(5), pages 639-643, September.
    8. Tom Coupe & Natalia Chaban, 2020. "Creating Europe through culture? The impact of the European Song Contest on European identity," Empirica, Springer;Austrian Institute for Economic Research;Austrian Economic Association, vol. 47(4), pages 885-908, November.
    9. Alexander V. Mantzaris & Samuel R. Rein & Alexander D. Hopkins, 2018. "Preference and neglect amongst countries in the Eurovision Song Contest," Journal of Computational Social Science, Springer, vol. 1(2), pages 377-390, September.
    10. Aloys Prinz, 2017. "Rankings as coordination games: the Dutch Top 2000 pop song ranking," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 379-401, November.
    11. Alex Krumer & Felix Otto & Tim Pawlowski, 2022. "Nationalistic bias among international experts: evidence from professional ski jumping," Scandinavian Journal of Economics, Wiley Blackwell, vol. 124(1), pages 278-300, January.
    12. Budzinski, Oliver & Pannicke, Julia, 2017. "Does popularity matter in a TV song competition? Evidence from a national music contest," Ilmenau Economics Discussion Papers 106, Ilmenau University of Technology, Institute of Economics.
    13. repec:cup:judgdm:v:7:y:2012:i:5:p:639-643 is not listed on IDEAS
    14. Oliver Budzinski & Julia Pannicke, 2017. "Culturally biased voting in the Eurovision Song Contest: Do national contests differ?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 343-378, November.
    15. Krzysztof Kontek & Honorata Sosnowska, 2020. "Specific Tastes or Cliques of Jurors? How to Reduce the Level of Manipulation in Group Decisions?," Group Decision and Negotiation, Springer, vol. 29(6), pages 1057-1084, December.
    16. Budzinski, Oliver & Pannicke, Julia, 2016. "Do preferences for pop music converge across countries? Empirical evidence from the Eurovision Song Contest," Ilmenau Economics Discussion Papers 101, Ilmenau University of Technology, Institute of Economics.
    17. Alexander V. Mantzaris & Samuel R. Rein & Alexander D. Hopkins, 2018. "Examining Collusion and Voting Biases Between Countries During the Eurovision Song Contest Since 1957," Journal of Artificial Societies and Social Simulation, Journal of Artificial Societies and Social Simulation, vol. 21(1), pages 1-1.
    18. Budzinski, Oliver & Kohlschreiber, Marie & Kuchinke, Björn & Pannicke, Julia, 2019. "Does music quality matter for audience voters in a music contest?," Ilmenau Economics Discussion Papers 122, Ilmenau University of Technology, Institute of Economics.
    19. Budzinski, Oliver & Gänßle, Sophia & Weimar, Daniel, 2023. "Disentangling individual biases in jury voting: An empirical analysis of voting behavior in the Eurovision Song Contest," Ilmenau Economics Discussion Papers 171, Ilmenau University of Technology, Institute of Economics.

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