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What Determines Cézanne’S Art Pricing? A Hedonic Regression Method

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  • Abderazak Bakhouche

    ()
    (Bangor Business School University of Bangor Gwynedd, United Kingdom)

  • Ludovic P.J. Thebault

    (Bangor Business School University of Bangor Gwynedd, United Kingdom)

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    Abstract

    The contribution of this paper is empirical. We employed the hedonic regression method to compile a price index for Cézanne’s artworks and examine their financial properties. This paper reported the following findings: i) oil prints were more expensive than prints on paper, ii) there was a statistically significant evidence in favour of the presence of the Law of One Price for Cézanne’s artworks, iii) the dimensions of the sample’s prints were found to influence hammer prices, iv) paintings made during the artist’s later career were traded at higher premiums than prints made in the early stages of his career, and finally v) it is inconclusive whether Cézanne’s prints could provide strong benefits to a diversified portfolio.

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    File URL: http://anale.feaa.uaic.ro/anale/resurse/sta1bakhouche.pdf
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    Bibliographic Info

    Article provided by Alexandru Ioan Cuza University, Faculty of Economics and Business Administration in its journal Analele Stiintifice ale Universitatii "Alexandru Ioan Cuza" din Iasi.

    Volume (Year): 58 (2011)
    Issue (Month): (november)
    Pages: 515-532

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    Handle: RePEc:aic:journl:y:2011:v:58:p:515-532

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    Postal: Universitatea Al. I. Cuza; B-dul Carol I nr. 22; Iasi
    Phone: 004 0232 201070
    Fax: 004 0232 217000
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    Web page: http://anale.feaa.uaic.ro/anale/
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    Related research

    Keywords: cézanne; hedonic regression method; CAPM;

    References

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    1. Orley Ashenfelter & Kathryn Graddy, 2003. "Auctions and the Price of Art," Journal of Economic Literature, American Economic Association, vol. 41(3), pages 763-787, September.
    2. Olivier Chanel & Louis-André Gérard-Varlet & Victor Ginsburgh, 1996. "The relevance of hedonic price indices: the case of paintings," ULB Institutional Repository 2013/1715, ULB -- Universite Libre de Bruxelles.
    3. Marilena Biey & Roberto Zanola, 2005. "The Market for Picasso Prints: A Hybrid Model Approach," Journal of Cultural Economics, Springer, vol. 29(2), pages 127-136, May.
    4. Douglas Hodgson & Keith Vorkink, 2004. "Asset pricing theory and the valuation of Canadian paintings," Canadian Journal of Economics, Canadian Economics Association, vol. 37(3), pages 629-655, August.
    5. Finn R. Førsund & Roberto Zanola, 2001. "Selling Picasso paintings: the efficiency of auction houses," ICER Working Papers 07-2001, ICER - International Centre for Economic Research.
    6. Raimond Maurer & Martin Pitzer & Steffen Sebastian, 2004. "Construction of a Transaction-Based Real Estate Index for the Paris Housing Market," Working Paper Series: Finance and Accounting 68, Department of Finance, Goethe University Frankfurt am Main.
    7. Marilena Locatelli-Biey & Roberto Zanola, 2002. "The Sculpture Market: An Adjacent Year Regression Index," Journal of Cultural Economics, Springer, vol. 26(1), pages 65-78, February.
    8. Goetzmann, William N, 1993. "Accounting for Taste: Art and the Financial Markets over Three Centuries," American Economic Review, American Economic Association, vol. 83(5), pages 1370-76, December.
    9. Andrew Worthington & Helen Higgs, 2006. "A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art," Journal of Cultural Economics, Springer, vol. 30(1), pages 73-84, March.
    10. Ginsburgh, Victor & Mei, Jianping & Moses, Michael, 2006. "The Computation of Prices Indices," Handbook of the Economics of Art and Culture, Elsevier.
    11. James Pesando & Pauline Shum, 1999. "The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996," Journal of Cultural Economics, Springer, vol. 23(3), pages 181-190, August.
    12. Jianping Mei & Michael Moses, 2002. "Art as an Investment and the Underperformance of Masterpieces," American Economic Review, American Economic Association, vol. 92(5), pages 1656-1668, December.
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