Copyright Piracy on the University Campus: Trends and Lessons from the Software and Music Industries
In a 1996-7 survey of students at three public universities and one private liberal arts college, Chiang and Assane (2002) found that 53 per cent of the sample admitted to software piracy. Though this is a staggering percentage, over the past five years the public focus on copyright piracy among young technology savvy users, particularlyuniversity students, has shifted from software to music piracy via file sharing and CD reproduction. This paper studies the characteristics of these industries along with recent technological advances affecting them. We analyze how economic incentives toreduce piracy on the university campus have been successful for the software industry, and how the lack of such incentives in the music industry has caused a larger piracy issue today. Based on these findings, we discuss possible solutions to reducingmusic piracy on the university campus.
|Date of creation:||May 2002|
|Date of revision:|
|Publication status:||Published in The International Journal on Media Management, Vol. 4, No. 3, 2002|
|Contact details of provider:|| Postal: |
Web page: http://business.fau.edu/economics
More information through EDIRC
When requesting a correction, please mention this item's handle: RePEc:fal:wpaper:02001. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Vadym Volosovych)The email address of this maintainer does not seem to be valid anymore. Please ask Vadym Volosovych to update the entry or send us the correct address
If references are entirely missing, you can add them using this form.