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The Value(s) of Women Artists

Author

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  • Adams, Renée

Abstract

I use data on values to challenge the belief that women produce art of lower value. Using occupational data in the European Social Survey (ESS) and OLS regressions, I show that women are more likely to be artists in more gender-equal countries, a pattern consistent with greater barriers to artistic careers for women than for men. Using data on Schwartz human values in the ESS, I then show that women artists, particularly those with children, appear to have more exceptional artistic value profiles than their male counterparts. These findings highlight the risks of equating market price with artistic value and underscore the importance of investing in women’s art and women artists. An analysis of curators’ values suggests that market-based strategies alone—such as art collecting—are insufficient to address art-market inequality. Instead, they must be complemented by cultural policies that dismantle structural barriers, including mistaken beliefs.

Suggested Citation

  • Adams, Renée, 2026. "The Value(s) of Women Artists," CEPR Discussion Papers 21679, Centre for Economic Policy Research.
  • Handle: RePEc:cpr:ceprdp:21679
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    More about this item

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • J16 - Labor and Demographic Economics - - Demographic Economics - - - Economics of Gender; Non-labor Discrimination
    • G34 - Financial Economics - - Corporate Finance and Governance - - - Mergers; Acquisitions; Restructuring; Corporate Governance
    • J24 - Labor and Demographic Economics - - Demand and Supply of Labor - - - Human Capital; Skills; Occupational Choice; Labor Productivity
    • G11 - Financial Economics - - General Financial Markets - - - Portfolio Choice; Investment Decisions
    • G14 - Financial Economics - - General Financial Markets - - - Information and Market Efficiency; Event Studies; Insider Trading

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