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Orderly Fashion: A Sociology of Markets

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  • Stockholm University

Abstract

For any market to work properly, certain key elements are necessary: competition, pricing, rules, clearly defined offers, and easy access to information. Without these components, there would be chaos. Orderly Fashion examines how order is maintained in the different interconnected consumer, producer, and credit markets of the global fashion industry. From retailers in Sweden and the United Kingdom to producers in India and Turkey, Patrik Aspers focuses on branded garment retailers--chains such as Gap, H&M, Old Navy, Topshop, and Zara. Aspers investigates these retailers' interactions and competition in the consumer market for fashion garments, traces connections between producer and consumer markets, and demonstrates why market order is best understood through an analysis of its different forms of social construction. Emphasizing consumption rather than production, Aspers considers the larger retailers' roles as buyers in the production market of garments, and as potential objects of investment in financial markets. He shows how markets overlap and intertwine and he defines two types of markets--status markets and standard markets. In status markets, market order is related to the identities of the participating actors more than the quality of the goods, whereas in standard markets the opposite holds true. Looking at how identities, products, and values create the ordered economic markets of the global fashion business, Orderly Fashion has wide implications for all modern markets, regardless of industry.

Suggested Citation

  • Stockholm University, 2010. "Orderly Fashion: A Sociology of Markets," Economics Books, Princeton University Press, edition 1, number 9212.
  • Handle: RePEc:pup:pbooks:9212
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    Citations

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    Cited by:

    1. Kapferer, Jean-Noël, 2012. "Abundant rarity: The key to luxury growth," Business Horizons, Elsevier, vol. 55(5), pages 453-462.
    2. Schiller-Merkens, Simone, 2013. "Framing moral markets: The cultural legacy of social movements in an emerging market category," MPIfG Discussion Paper 13/8, Max Planck Institute for the Study of Societies.
    3. Kotelnikova, Zoya, 2012. "New Economic Sociology and relationship marketing: Parallel development," economic sociology. perspectives and conversations, Max Planck Institute for the Study of Societies, vol. 13(3), pages 27-33.
    4. Johan Jansson & Brian J Hracs, 2018. "Conceptualizing curation in the age of abundance: The case of recorded music," Environment and Planning A, , vol. 50(8), pages 1602-1625, November.
    5. Pettinicchio, David, 2021. "A model who looks like me: Communicating and consuming representations of disability," SocArXiv 9mvka, Center for Open Science.
    6. Zoya Kotelnikova, 2013. "Structural embeddedness and contractual relationships of chain stores and their suppliers in Russian emerging markets," HSE Working papers WP BRP 22/SOC/2013, National Research University Higher School of Economics.
    7. Wehinger, Frank, 2014. "Falsche Werte: Nachfrage nach Modeplagiaten," MPIfG Discussion Paper 14/20, Max Planck Institute for the Study of Societies.

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