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Creativity and Place in the Evolution of a Cultural Industry

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  • Deborah Leslie
  • Norma M. Rantisi

Abstract

The Cirque du Soleil, based in Montreal, is known internationally for its innovative form of circus production. Although a transnational company recruiting talent from around the world, it is argued that the Cirque’s ability to innovate is underpinned by its historical and geographical situatedness in Montreal. Drawing on evolutionary economics, the paper examines the place-specific and path-dependent trajectory which has informed the emergence of the Cirque, focusing on how a series of latent synergies—including a vibrant tradition of street performance in Quebec, the lack of established circus conventions, and the strength of related cultural sectors in Montreal—gave rise to the Cirque. In addition, the paper explores the purposive role of the state in actualising some of these latent synergies.

Suggested Citation

  • Deborah Leslie & Norma M. Rantisi, 2011. "Creativity and Place in the Evolution of a Cultural Industry," Urban Studies, Urban Studies Journal Limited, vol. 48(9), pages 1771-1787, July.
    • Handle: RePEc:sae:urbstu:v:48:y:2011:i:9:p:1771-1787
    DOI: 10.1177/0042098010377475
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    References listed on IDEAS

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    Cited by:

    1. Norma M. Rantisi & Deborah Leslie, 2015. "Circus in Action: Exploring the Role of a Translation Zone in the Cirque du Soleil's Creative Practices," Economic Geography, Clark University, vol. 91(2), pages 147-164, April.
    2. Chen-En Hou & Wen-Min Lu & Shiu-Wan Hung, 2019. "Does CSR matter? Influence of corporate social responsibility on corporate performance in the creative industry," Annals of Operations Research, Springer, vol. 278(1), pages 255-279, July.
    3. Sebastien Chantelot & Peres Stephanie & Virol Stephane, 2011. "From Talent to Creative City: Towards a conceptual framework," ERSA conference papers ersa11p373, European Regional Science Association.

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