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The political economy of gender disparity in musical markets

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  • Sam Cameron

Abstract

This paper examines the role and functioning of women within the music industry from a broadly economic perspective which starts from standard notions of biological differences and theories of discrimination. Disparities in employment as a musician and output as a composer are considered. It is clear that female representation deviates considerably from parity. While conscious discrimination at the point of trade seems not to be a large factor in this, unconscious discrimination in early musical capital investment sets in motion a chain of events which limit female performance in musical markets. Copyright 2003, Oxford University Press.

Suggested Citation

  • Sam Cameron, 2003. "The political economy of gender disparity in musical markets," Cambridge Journal of Economics, Cambridge Political Economy Society, vol. 27(6), pages 905-917, November.
    • Handle: RePEc:oup:cambje:v:27:y:2003:i:6:p:905-917
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    Cited by:

    1. Ian C. Strachan, 2014. "Female Artists and the Digitization of Labor in the Music Industry," Business and Management Research, Business and Management Research, Sciedu Press, vol. 3(4), pages 51-60, December.
    2. Andrea Mangani, 2021. "Media bias against women in music: an empirical analysis of Italian music magazines," Economia Politica: Journal of Analytical and Institutional Economics, Springer;Fondazione Edison, vol. 38(2), pages 657-676, July.
    3. Ying Zhen, 2023. "Gender and Racial Discrimination in the U.S. Music Industry," The American Economist, Sage Publications, vol. 68(1), pages 45-60, March.

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