IDEAS home Printed from https://ideas.repec.org/a/gam/jscscx/v7y2018i9p161-d169922.html
   My bibliography  Save this article

From the Sleeping Princess to the World-Saving Daughter of the Chief: Examining Young Children’s Perceptions of ‘Old’ versus ‘New’ Disney Princess Characters

Author

Listed:
  • Benjamin Hine

    (Department of Psychology, University of West London, St Mary’s Road, London W5 5RF, UK)

  • Katarina Ivanovic

    (Department of Psychology, University of West London, St Mary’s Road, London W5 5RF, UK)

  • Dawn England

    (Middlesex University Dubai, Knowledge Park, Block 16, Dubai, UAE)

Abstract

Both popular and academic discourse has noted progressive change in the gender role portrayals of much-loved Disney princess characters. However, at present, little is known about children’s recognition of such changes, or of their interpretation of princesses’ gendered behavior. This study therefore asked 131 8–9-year-old UK children to attribute various feminine and masculine characteristics to ‘princesses’ both before and after watching an ‘old’ ( Sleeping Beauty ) versus ‘new’ ( Moana ) Disney princess movie. Post-movie they were also asked to attribute these characteristics to the princess characters (Aurora and Moana respectively) and were assessed on their labelling of thirteen popular female characters as ‘princesses’. Results showed that whilst children recognized the largely feminine versus androgynous gendered profiles of Aurora versus Moana respectively, viewing a ‘newer’ Disney movie did not change their perception of ‘princesses’ more broadly. Moreover, a large proportion of children did not identify Moana as a princess at all. Results therefore simultaneously complicate and enhance the current discussion regarding the influence of gender role models, particularly those within the Disney franchise, on the development of gender knowledge and identity in young children.

Suggested Citation

  • Benjamin Hine & Katarina Ivanovic & Dawn England, 2018. "From the Sleeping Princess to the World-Saving Daughter of the Chief: Examining Young Children’s Perceptions of ‘Old’ versus ‘New’ Disney Princess Characters," Social Sciences, MDPI, vol. 7(9), pages 1-15, September.
  • Handle: RePEc:gam:jscscx:v:7:y:2018:i:9:p:161-:d:169922
    as

    Download full text from publisher

    File URL: https://www.mdpi.com/2076-0760/7/9/161/pdf
    Download Restriction: no

    File URL: https://www.mdpi.com/2076-0760/7/9/161/
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Lauren Dundes & Madeline Streiff & Zachary Streiff, 2018. "Storm Power, an Icy Tower and Elsa’s Bower: The Winds of Change in Disney’s Frozen," Social Sciences, MDPI, vol. 7(6), pages 1-29, May.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Cassandra Primo, 2018. "Balancing Gender and Power: How Disney’s Hercules Fails to Go the Distance," Social Sciences, MDPI, vol. 7(11), pages 1-13, November.
    2. Jill Nash & Cindy Sidhu, 2023. "‘Pink is for girls, blue is for boys’ exploring brand gender identity in children’s clothing, a post-evaluation of British retailer John Lewis," Journal of Brand Management, Palgrave Macmillan, vol. 30(5), pages 381-397, September.
    3. Pimpatchanok Manaworapong & Neil Evan Jon Anthony Bowen, 2022. "Language, gender, and patriarchy in Mulan: a diachronic analysis of a Disney Princess movie," Palgrave Communications, Palgrave Macmillan, vol. 9(1), pages 1-12, December.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Cassandra Primo, 2018. "Balancing Gender and Power: How Disney’s Hercules Fails to Go the Distance," Social Sciences, MDPI, vol. 7(11), pages 1-13, November.
    2. Lauren Dundes & Madeline Streiff Buitelaar & Zachary Streiff, 2019. "Bad Witches: Gender and the Downfall of Elizabeth Holmes of Theranos and Disney’s Maleficent," Social Sciences, MDPI, vol. 8(6), pages 1-17, June.
    3. Benjamin Hine & Dawn England & Katie Lopreore & Elizabeth Skora Horgan & Lisa Hartwell, 2018. "The Rise of the Androgynous Princess: Examining Representations of Gender in Prince and Princess Characters of Disney Movies Released 2009–2016," Social Sciences, MDPI, vol. 7(12), pages 1-23, November.
    4. Lauren Dundes, 2020. "Elsa as Horse Whisperer in Disney’s Frozen 2 : Opportunity “Nokk”s to Quash Gender Stereotypes," Social Sciences, MDPI, vol. 9(5), pages 1-11, May.

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:gam:jscscx:v:7:y:2018:i:9:p:161-:d:169922. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: MDPI Indexing Manager (email available below). General contact details of provider: https://www.mdpi.com .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.