The paper aims to provide some empirical evidence to strengthen the debate around the project-based organisation, which tends to qualifies the latter as the dominant organising form among the creative industries. Our focus is the performing music industry. We recur to an unique database we have built on the basis of data provided by ENPALS (Ente Nazionale di Previdenza e di Assistenza per i Lavoratori dello Spettacolo) in Rome (Italy), which collects the pension contributions for the workers of performing arts among all Italian public and private organisations. The output of our descriptive analysis confirms that the project based organisations, that in our case of the performing music regard primarily the event management, are the most diffuse form in this field. Moreover, our research gives some interesting hints on the characteristics of the performing music labour force, asserting the project based workers as the category that includes the majority of workers in the industry.
Download Info
To download:
If you experience problems downloading a file, check if you have the
proper application to
view it first. Information about this may be contained
in the File-Format links below. In case of further problems read
the IDEAS help
page. Note that these files are not on the IDEAS
site. Please be patient as the files may be large.
Publisher Info
Paper provided by Dipartimento di Scienze Economiche "Marco Fanno" in its series "Marco Fanno" Working Papers with number
0028.
References listed on IDEAS Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.: