IDEAS home Printed from https://ideas.repec.org/p/pri/cpanda/30.html
   My bibliography  Save this paper

Nonprofit Organizations and the Intersectoral Division of Labor in the Arts

Author

Listed:
  • Paul DiMaggio

    (Princeton University)

Abstract

This paper takes stock of what we know about the role of nonprofit enterprise in the production and distribution of the arts (broadly defined), primarily in the United States. After briefly discussing measurement, I present data on the extent of nonprofit activity in a range of cultural subfields. I then review theoretical explanations of the prevalence of nonprofits in cultural industries and discuss some puzzles that existing theories do not adequately solve. After reviewing research and theory about behavioral differences between nonprofit and for-profit arts firms, I explore how the art-and-culture sector is evolving in the face of demographic change, the weakening of the cultural hierarchy, and the emergence of new production and distribution technologies. I conclude with a research agenda.

Suggested Citation

  • Paul DiMaggio, 2003. "Nonprofit Organizations and the Intersectoral Division of Labor in the Arts," Working Papers 37, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    • Handle: RePEc:pri:cpanda:30
    as

    Download full text from publisher

    File URL: https://culturalpolicy.princeton.edu/sites/culturalpolicy/files/wp30_dimaggio.pdf
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Henry Hansmann, 1981. "Nonprofit Enterprise in the Performing Arts," Bell Journal of Economics, The RAND Corporation, vol. 12(2), pages 341-361, Autumn.
    2. Brooks, Arthur C., 2006. "Nonprofit Firms in the Performing Arts," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 15, pages 473-506, Elsevier.
    3. Kuan, Jennifer, 2001. "The Phantom Profits of the Opera: Nonprofit Ownership in the Arts as a Make-Buy Decision," The Journal of Law, Economics, and Organization, Oxford University Press, vol. 17(2), pages 507-520, October.
    4. Glenn B. Voss & Daniel M. Cable & Zannie Giraud Voss, 2000. "Linking Organizational Values to Relationships with External Constituents: A Study of Nonprofit Professional Theatres," Organization Science, INFORMS, vol. 11(3), pages 330-347, June.
    5. James Heilbrun, 2001. "Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 63-72, February.
    6. Storper, Michael, 1989. "The Transition to Flexible Specialisation in the U.S. Film Industry: External Economies, the Division of Labour, and the Crossing of Industrial Divides," Cambridge Journal of Economics, Cambridge Political Economy Society, vol. 13(2), pages 273-305, June.
    7. Frey, Bruno S., 1996. "Has Baumol's Cost Disease disappeared in the performing arts?," Ricerche Economiche, Elsevier, vol. 50(2), pages 173-182, June.
    8. Becky Pettit & Paul DiMaggio, 1997. "Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys," Working Papers 56, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    9. Heilbrun,James & Gray,Charles M., 2001. "The Economics of Art and Culture," Cambridge Books, Cambridge University Press, number 9780521637121.
    10. Albert Greco, 2000. "Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 321-336, November.
    11. repec:pri:cpanda:wp01%20-%20kaple,%20morris,%20sigmund-fish,%20dimaggio is not listed on IDEAS
    12. repec:pri:cpanda:wp05%20-%20petit%20and%20dimaggio is not listed on IDEAS
    13. Deborah A. Kaple & Lori Morris & Ziggy Rivkin-Fish & Paul DiMaggio, 1996. "Data on Arts Organizations: A Review and Needs Assessment, with Design Implications," Working Papers 161, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    14. Burton A. Weisbrod, 1997. "The future of the nonprofit sector: Its entwining with private enterprise and government," Journal of Policy Analysis and Management, John Wiley & Sons, Ltd., vol. 16(4), pages 541-555.
    15. Allen Scott, 2002. "A new map of Hollywood: the production and distribution of American motion pictures," Regional Studies, Taylor & Francis Journals, vol. 36(9), pages 957-975.
    16. Becky Pettit & Paul DiMaggio, 1997. "Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys," Working Papers 56, Princeton University, Woodrow Wilson School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. repec:pri:cpanda:wp30-dimaggio is not listed on IDEAS
    2. Manning, Stephan, 2017. "The rise of project network organizations: Building core teams and flexible partner pools for interorganizational projects," Research Policy, Elsevier, vol. 46(8), pages 1399-1415.
    3. Fiorenza Belussi & Silvia Rita Sedita, 2006. "The Management of Events in the Veneto Performing Music Cluster: Bridging Latent and Permanent Organisations," "Marco Fanno" Working Papers 0028, Dipartimento di Scienze Economiche "Marco Fanno".
    4. Bruno Frey, 1999. "State Support and Creativity in the Arts: Some New Considerations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(1), pages 71-85, March.
    5. Jens Prüfer, 2011. "Competition And Mergers Among Nonprofits," Journal of Competition Law and Economics, Oxford University Press, vol. 7(1), pages 69-92.
    6. James Heilbrun, 2011. "Baumol’s Cost Disease," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 10, Edward Elgar Publishing.
    7. Rosenfeld, Martin T. W. & Hornych, Christoph, 2008. "Is There a Way for Old Industrial Districts to Become Attractive for Cultural Industry? The Case of Media Businesses in Halle (Saale), Germany," IWH Discussion Papers 15/2008, Halle Institute for Economic Research (IWH).
    8. Frey, Bruno S. & Meier, Stephan, 2006. "The Economics of Museums," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 29, pages 1017-1047, Elsevier.
    9. Jeffrey Pompe & Lawrence Tamburri & Johnathan Munn, 2011. "Factors that influence programming decisions of US symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(3), pages 167-184, August.
    10. Joris Ebbers & Nachoem Wijnberg, 2012. "The effects of having more than one good reputation on distributor investments in the film industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(3), pages 227-248, August.
    11. Mafalda Gómez-Vega & Luis César Herrero-Prieto, 2019. "Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 211-245, June.
    12. Michael Jensen & Bo Kyung Kim, 2014. "Great, Madama Butterfly Again! How Robust Market Identity Shapes Opera Repertoires," Organization Science, INFORMS, vol. 25(1), pages 109-126, February.
    13. Bruce Seaman, 2004. "Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(3), pages 167-193, August.
    14. Amihai Glazer, 2014. "The Profit-maximizing Non-profit," Working Papers 131404, University of California-Irvine, Department of Economics.
    15. Canoy, Marcel & van Ours, Jan C. & van der Ploeg, Frederick, 2006. "The Economics of Books," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 21, pages 721-761, Elsevier.
    16. Aspers, Patrik & Kohl, Sebastian & Power, Dominic, 2008. "Economic sociology discovering economic geography," economic sociology. perspectives and conversations, Max Planck Institute for the Study of Societies, vol. 9(3), pages 3-16.
    17. Poledrini Simone & Montrone Alessandro & Searing Elizabeth A. M., 2022. "A Model for Directing and Modulating Public Interventions in Social Enterprises," Nonprofit Policy Forum, De Gruyter, vol. 13(4), pages 307-332, October.
    18. Katia Melnik & Jean-Benoît Zimmermann, 2008. "An Economic Approach To Voluntary Association," Working Papers halshs-00347448, HAL.
    19. Maurizio Naldi & Marta Flamini, 2018. "Dynamics of the Hirschman–Herfindahl Index under New Market Entries," Economic Papers, The Economic Society of Australia, vol. 37(3), pages 344-362, September.
    20. Charles M Gray, 2011. "Participation," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 45, Edward Elgar Publishing.
    21. repec:zbw:iamost:207016 is not listed on IDEAS
    22. Rubinstein Alexander, 2013. "Studying “Sponsored Goods” in Cultural Sector. Econometric Model of Baumol’s Disease," Creative and Knowledge Society, Sciendo, vol. 3(1), pages 28-48, July.

    More about this item

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • J08 - Labor and Demographic Economics - - General - - - Labor Economics Policies

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:pri:cpanda:30. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Bobray Bordelon (email available below). General contact details of provider: https://edirc.repec.org/data/caprius.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.