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A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists

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  • David W. Galenson
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    Abstract

    Some important novelists have written a great novel early in their careers and have produced lesser works thereafter, whereas others have improved their work gradually over long periods and have made their major contributions late in their lives. Which of these patterns a novelist follows appears to be systematically related to the nature of his work. Conceptual writers typically have specific goals for their books, and produce novels that emphasize plot; experimental writers' intentions are often uncertain, and their novels more often stress characterization. By examining the careers of twelve important modern novelists, this paper demonstrates that conceptual novelists - including Herman Melville, F. Scott Fitzgerald, and Ernest Hemingway - are generally those who have declined after writing landmark early novels, while in contrast experimental novelists - including Charles Dickens, Mark Twain, Virginia Woolf - have typically arrived at their most important work later in their careers. As is the case for modern painting and poetry, the ranks of great modern novelists have included both conceptual young geniuses and experimental old masters.

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    File URL: http://www.nber.org/papers/w10213.pdf
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    Bibliographic Info

    Paper provided by National Bureau of Economic Research, Inc in its series NBER Working Papers with number 10213.

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    Date of creation: Jan 2004
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    Publication status: published as Galenson, David W. "A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists." Historical Methods: A Journal of Quantitative and Interdisciplinary History 39, 2 (Spring 2006): 51-72.
    Handle: RePEc:nbr:nberwo:10213

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    1. David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer, vol. 24(2), pages 87-112, May.
    2. David W. Galenson, 2003. "The Life Cycles of Modern Artists: Theory, Measurement, and Implications," NBER Working Papers 9539, National Bureau of Economic Research, Inc.
    3. David Galenson, 2002. "The Life Cycles of Modern Artists," World Economics, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 3(3), pages 161-178, July.
    4. David W. Galenson, 2003. "Literary Life Cycles: The Careers of Modern American Poets," NBER Working Papers 9856, National Bureau of Economic Research, Inc.
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    Cited by:
    1. Bertacchini Enrico & Friel Martha, 2013. "Understanding creativity and innovation in industrial design: an historical and empirical assessment," Department of Economics and Statistics Cognetti de Martiis. Working Papers 201311, University of Turin.
    2. Bruce A. Weinberg & David W. Galenson, 2005. "Creative Careers: The Life Cycles of Nobel Laureates in Economics," NBER Working Papers 11799, National Bureau of Economic Research, Inc.
    3. Benjamin F. Jones, 2005. "Age and Great Invention," NBER Working Papers 11359, National Bureau of Economic Research, Inc.

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