Superstar effects on royalty income in a performing rights organization
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Bibliographic InfoArticle provided by Springer in its journal Journal of Cultural Economics.
Volume (Year): 34 (2010)
Issue (Month): 3 (August)
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Web page: http://www.springerlink.com/link.asp?id=100284
Skew-normal; Skew-t ; Songwriters; Composers; Music Publishers; Performance Copyright and Media Studies; C23; C46; C51; L82; O34; Z1;
Find related papers by JEL classification:
- C23 - Mathematical and Quantitative Methods - - Single Equation Models; Single Variables - - - Models with Panel Data; Spatio-temporal Models
- C46 - Mathematical and Quantitative Methods - - Econometric and Statistical Methods: Special Topics - - - Specific Distributions
- C51 - Mathematical and Quantitative Methods - - Econometric Modeling - - - Model Construction and Estimation
- L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
- O34 - Economic Development, Technological Change, and Growth - - Technological Change; Research and Development; Intellectual Property Rights - - - Intellectual Property and Intellectual Capital
- Z1 - Other Special Topics - - Cultural Economics
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- David E. Giles, 2005.
"Increasing Returns to Information in the U.S. Popular Music Industry,"
Econometrics Working Papers
0510, Department of Economics, University of Victoria.
- David Giles, 2007. "Increasing returns to information in the US popular music industry," Applied Economics Letters, Taylor & Francis Journals, vol. 14(5), pages 327-331.
- Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-58, December.
- W. D. Walls, 2005. "Modelling heavy tails and skewness in film returns," Applied Financial Economics, Taylor & Francis Journals, vol. 15(17), pages 1181-1188.
- Marie Connolly & Alan B. Krueger, 2005.
"Rockonomics: The Economics of Popular Music,"
NBER Working Papers
11282, National Bureau of Economic Research, Inc.
- Adelchi Azzalini & Marc G. Genton, 2008. "Robust Likelihood Methods Based on the Skew-"t" and Related Distributions," International Statistical Review, International Statistical Institute, vol. 76(1), pages 106-129, 04.
- Frederick Pinto, 2004. "Review: Blockbusters and Trade Wars: Popular Culture in a Globalized World," Journal of International Economic Law, Oxford University Press, vol. 7(4), pages 922-928, December.
- Staffan Albinsson, 2013. "Swings and roundabouts: Swedish music copyrights 1980–2009," Journal of Cultural Economics, Springer, vol. 37(2), pages 175-184, May.
- Popović, Milenko & Ratković, Kruna, 2013. "Oversupply of Labor and Other Peculiarities of Arts Labor Market," EconStor Preprints 83025, ZBW - German National Library of Economics.
- Brinja Meiseberg, 2014. "Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music," Journal of Cultural Economics, Springer, vol. 38(1), pages 9-42, February.
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