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Rockonomics: The Economics of Popular Music

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Author Info
Connolly, Marie
Krueger, Alan B.

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Abstract

This chapter considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers' income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change.

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This chapter was published in: V.A. Ginsburgh & D. Throsby (ed.) , Elsevier, chapter 20, pages 667-719, 2006.

This item is provided by Elsevier in its series Handbook of the Economics of Art and Culture with number 1-20.

Handle: RePEc:eee:artchp:1-20

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Related research
This chapter was published in the following book, which is listed on IDEAS:
V.A. Ginsburgh & D. Throsby (ed.), 2006. "Handbook of the Economics of Art and Culture," Handbook of the Economics of Art and Culture, Elsevier, edition 1, volume 1, number 1, December. [Downloadable!] (restricted)
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Z19 - Other Special Topics - - Cultural Economics - - - Other

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  1. David E. Giles, 2005. "Survival of the Hippest: Life at the Top of the Hot 100," Econometrics Working Papers 0507, Department of Economics, University of Victoria. [Downloadable!]
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  2. Jin-Hyuk Kim, 2007. "Strategic Use of Copyright Protection to Deter Entry," Topics in Economic Analysis & Policy, Berkeley Electronic Press, vol. 7(1), pages 1765-1765. [Downloadable!] (restricted)
  3. David E. Giles, 2005. "Increasing Returns to Information in the U.S. Popular Music Industry," Econometrics Working Papers 0510, Department of Economics, University of Victoria. [Downloadable!]
    Other versions:
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This page was last updated on 2008-7-16.

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