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Progression in Student Creativity in School: First Steps Towards New Forms of Formative Assessments

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Listed:
  • Bill Lucas

    (University of Winchester)

  • Guy Claxton

    (University of Winchester)

  • Ellen Spencer

    (University of Winchester)

Abstract

Creativity is widely accepted as being an important outcome of schooling. Yet there are many different views about what it is, how best it can be cultivated in young people and whether or how it should be assessed. And in many national curricula creativity is only implicitly acknowledged and seldom precisely defined. This paper offers a five dimensional definition of creativity which has been trialled by teachers in two field trials in schools in England. The paper suggests a theoretical underpinning for defining and assessing creativity along with a number of practical suggestions as to how creativity can be developed and tracked in schools. Two clear benefits of assessing progress in the development of creativity are identified: 1) teachers are able to be more precise and confident in developing young people’s creativity, and 2) learners are better able to understand what it is to be creative (and to use this understanding to record evidence of their progress). The result would seem to be a greater likelihood that learners can display the full range of their creative dispositions in a wide variety of contexts. La créativité est largement acceptée comme étant un résultat scolaire important. Pourtant il y a beaucoup d’opinions différentes sur ce qu’elle est, comment on peut la cultiver chez les jeunes gens, et si et comment on devrait l’évaluer. De plus, dans beaucoup de programmes scolaires, la créativité n’est reconnue que de manière implicite et rarement définie de manière précise. Ce document offre une définition de la créativité reposant sur cinq dimensions, qui a été testée par des enseignants durant deux expériences de terrain dans des écoles en Angleterre. Le document propose un soubassement théorique pour définir et évaluer la créativité ainsi que nombre de suggestions pratiques sur le développement et le suivi de la créativité à l’école. Deux bénéfices clairs d’évaluer le progrès dans le développement de la créativité sont identifiés : 1) les enseignants peuvent être plus précis et confiants lorsqu’ils développent la créativité des jeunes gens, et 2) les apprenants sont davantage en mesure de comprendre ce que « être créatif » signifie (et à utiliser cette compréhension pour documenter et relater leur progrès). Le résultat semble être une plus grande probabilité que les apprenants témoignent de toute l’étendue de leurs dispositions à la créativité dans un large éventail de contextes.

Suggested Citation

  • Bill Lucas & Guy Claxton & Ellen Spencer, 2013. "Progression in Student Creativity in School: First Steps Towards New Forms of Formative Assessments," OECD Education Working Papers 86, OECD Publishing.
  • Handle: RePEc:oec:eduaab:86-en
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    File URL: http://dx.doi.org/10.1787/5k4dp59msdwk-en
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