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Le jeu des Gladiators: un spectacle de qualité

Author

Listed:
  • Damien Jérôme, Albert Bazin

    (GREDEG - Groupe de Recherche en Droit, Economie et Gestion - UNS - Université Nice Sophia Antipolis (1965 - 2019) - CNRS - Centre National de la Recherche Scientifique - UniCA - Université Côte d'Azur)

  • Jérôme Ballet

    (IRD - UMI RESILIENCES - Unité mixte internationale Résiliences - IRD - Institut de Recherche pour le Développement - Centre ivoirien de recherches économiques et sociales (CIRES) - Université de Cocody)

  • Radu Vranceanu

    (ESSEC Business School and THEMA (UMR 8184) - ESSEC Business School - THEMA - Théorie économique, modélisation et applications - CNRS - Centre National de la Recherche Scientifique - CY - CY Cergy Paris Université)

Abstract

Gladiator games constituted a major element under roman influence, which lingered on until the fourth century AD. The organization of these games was very expensive, and gladiators were to a large extent professionals, trained in gladiator schools. The overall costs were covered by fees paid by the Roman Magistrates who organized these shows. In order to attract them, the quality of the show was essential. From this point of view, the key person in the process of preparation of the show was the President who was granted the right to decide over life and death of the defeated gladiator. The judge's strategy had a major impact on the quality of the show.

Suggested Citation

  • Damien Jérôme, Albert Bazin & Jérôme Ballet & Radu Vranceanu, 2012. "Le jeu des Gladiators: un spectacle de qualité," Post-Print halshs-00727327, HAL.
  • Handle: RePEc:hal:journl:halshs-00727327
    as

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