Critical opinion as a tool in the marketing of cultural products: thé experiential label
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Cited by:
- Kim Oosterlinck & Anne-Sophie Radermecker, 2019.
"“The Master of …”: creating names for art history and the art market,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(1), pages 57-95, March.
- Kim Oosterlinck & Anne-Sophie Radermecker & Kim Oosterlinck & Anne-Sophie Radermecker, 2018. "“The Master of …”: creating names for art history and the art market," ULB Institutional Repository 2013/286584, ULB -- Universite Libre de Bruxelles.
- Kim Oosterlinck & Anne-Sophie Radermecker, 2018. "The Master of …”: Creating Names for Art History and the Art Market," Working Papers CEB 18-007, ULB -- Universite Libre de Bruxelles.
- Anne-Sophie V. E. Radermecker, 2019. "Artworks without names: an insight into the market for anonymous paintings," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(3), pages 443-483, September.
- Ivan Dufeu & Jean-Marc Ferrandi & Patrick Gabriel & Marine Le Gall-Ely, 2014. "Socio-environmental multi-labelling and consumer willingness to pay [Multi-labellisation socio-environnementale et consentement à payer du consommateur]," Post-Print hal-02794529, HAL.
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