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Introduction to "Conceptual Revolutions in Twentieth-Century Art"

In: Conceptual Revolutions in Twentieth-Century Art

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  • David W. Galenson

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Suggested Citation

  • David W. Galenson, 2009. "Introduction to "Conceptual Revolutions in Twentieth-Century Art"," NBER Chapters, in: Conceptual Revolutions in Twentieth-Century Art, pages 1-2, National Bureau of Economic Research, Inc.
    • Handle: RePEc:nbr:nberch:11976
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    Cited by:

    1. Claire Dupin Beyssat & Diana Seave Greenwald & Kim Oosterlinck, 2023. "Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 407-436, September.
    2. Robert B. Ekelund & John D. Jackson & Robert D. Tollison, 2015. "Age and productivity: An empirical study of early American artists," Southern Economic Journal, John Wiley & Sons, vol. 81(4), pages 1096-1116, April.
    3. Elias Julio Jorge & Castro Walter, 2023. "Adam Smith, Experimental Innovator, through the Lenses of Conceptual Innovators," Asociación Argentina de Economía Política: Working Papers 4649, Asociación Argentina de Economía Política.
    4. Ennio E. Piano, 2022. "Specialization and the firm in Renaissance Italian art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(4), pages 659-697, December.
    5. David W. Galenson & Simone Lenzu, 2023. "Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 489-511, September.

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