IDEAS home Printed from https://ideas.repec.org/a/gam/jsoctx/v4y2014i3p477-505d40270.html
   My bibliography  Save this article

I Am the Invincible Sword Goddess : Mediatization of Chinese Gender Ideology through Female Kung-Fu Practitioners in Films

Author

Listed:
  • Mie Hiramoto

    (Department of English Language & Literature, National University of Singapore (NUS), 10 Kent Ridge Crescent, Singapore 119260, Singapore)

  • Cherise Shi Ling Teo

    (Department of English Language & Literature, National University of Singapore (NUS), 10 Kent Ridge Crescent, Singapore 119260, Singapore)

Abstract

The media are avid portrayers of gender binarism and the belief in male-female distinctions, which are mainly attributed to perceived differences of a physical nature. In this paper, we investigate representations of female kung-fu practitioners ( nuxia ) in films to discuss how processes of mediation and mediatization depict their femininity, so as to mitigate their appropriation of Chinese martial arts masculinity. Often, nuxia s are portrayed as empowered women who are equipped to take control of their own lives and to courageously take on challenges from a variety of opponents. However, multimodal deconstruction of the various characteristics of nuxia s must be placed in an Asian-specific context in order to understand the femininity specific to these characters and to move beyond Western gender ideologies displayed by the media. Perpetuating Confucian patriarchal ideals, nuxia roles constantly and consistently associate conformation to Confucian values with virtuousness and non-conformation with wickedness. We therefore can use the ideals of Confucianism as a more accurate foundation in deconstructing the identities of nuxia s, which allows us to better understand the mediation and mediatization processes of ideologies associated with Chinese femininity and masculinity in martial arts films.

Suggested Citation

  • Mie Hiramoto & Cherise Shi Ling Teo, 2014. "I Am the Invincible Sword Goddess : Mediatization of Chinese Gender Ideology through Female Kung-Fu Practitioners in Films," Societies, MDPI, vol. 4(3), pages 1-29, September.
  • Handle: RePEc:gam:jsoctx:v:4:y:2014:i:3:p:477-505:d:40270
    as

    Download full text from publisher

    File URL: https://www.mdpi.com/2075-4698/4/3/477/pdf
    Download Restriction: no

    File URL: https://www.mdpi.com/2075-4698/4/3/477/
    Download Restriction: no
    ---><---

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:gam:jsoctx:v:4:y:2014:i:3:p:477-505:d:40270. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: MDPI Indexing Manager (email available below). General contact details of provider: https://www.mdpi.com .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.