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From imagination to visualization: Protest rituals in the basque country

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  • Casquete, Jesus

Abstract

In this paper, the concept of rituals to the field of collective action is applied. It is argued that rituals are not merely forces of “being,” but of “becoming,” that is, of the transformation of a group of individuals into a mutually recognized social unity. For this dynamic process to enjoy some success and culminate in the formation of a recognizable social actor, regular ceremonies of gathering and protest appear to be an inescapable precondition. The Basque Country is selected as case study, which according to all available data, is the most contentious country in the Western world. The relevance of mass demonstrations for a single social actor is shown, namely the MLNV (Movimiento de Liberación Nacional Vasco: Basque National Freedom Movement), to become and survive as an actor. As long as it generates group solidarity, the performance of symbolically loaded, regular, and standardized protest by this nationalist group creates lasting links among participants. Regular demonstrations staged by this actor, which is endowed with a sound social and cultural infrastructure, impart a lasting character to its collective identity. Besides aiming at influencing the authorities and public opinion under certain circumstances that are analyzed throughout the paper, ritual protest might also purposely bring about inner cohesion. With such an assumption, the author departs from instrumentalist approaches to the study of collective action and highlights the creation of enduring bonds of solidarity as a latent function that ritualized protest fulfills.

Suggested Citation

  • Casquete, Jesus, 2003. "From imagination to visualization: Protest rituals in the basque country," Discussion Papers, Working Group Political Communication and Mobilization SP IV 2003-401, WZB Berlin Social Science Center.
  • Handle: RePEc:zbw:wzbpcm:spiv2003401
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