The empirical test of the Aesthetic Matrix of Art Economics: the Magic Flute by W.A.Mozart
In order to confront the problems of art marketing, the economist must trod on aesthetic terrain, and become concerned with all of the epistemological, aesthetic, critical and pedagogical aspects connected with the consumption of art. He can do it professionally, without invading others' fields, so that art itself - which he encountered in the guise of a simple consumer - reveals its nature and the method with which every simple user might make it his or her own. The interpretation of Mozart's The Magic Flute presented here shows how the art economics method works and the results it leads to. It also shows that it does not require special skills of any kind. This working paper forms part of the forthcoming publication: A. SPRANZI, Economics of the Arts. A new Approach to Art Economics, Unicopli/Cuesp, Milano (cuesp@galactica. it)
|Date of creation:||01 Jan 2005|
|Date of revision:|
|Contact details of provider:|| Postal: Via Conservatorio 7, I-20122 Milan - Italy|
Phone: +39 02 50321522
Fax: +39 02 50321505
Web page: http://www.demm.unimi.it
More information through EDIRC
When requesting a correction, please mention this item's handle: RePEc:mil:wpdepa:2005-11. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (DEMM Working Papers)
If references are entirely missing, you can add them using this form.