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Diagnostic du cinéma européen

  • Emmanuel Ethis


    (LAHIC - Laboratoire d'Anthropologie et d'Histoire de l'Institution de la Culture - CNRS - EHESS - École des hautes études en sciences sociales - MCC - Ministère de la Culture et de la Communication, CNE - Centre Norbert Elias - UAPV - Université d'Avignon et des Pays de Vaucluse - ENS Lyon - École normale supérieure - Lyon - EHESS - École des hautes études en sciences sociales - CNRS - AMU - Aix-Marseille Université, LCC - Laboratoire Culture et Communication - UAPV - Université d'Avignon et des Pays de Vaucluse)

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    Face à la dénonciation de la domination du cinéma américain en Europe et aux débats récurrents en France autour de l' “ exception culturelle ”, Claude Forest nous livre dans son ouvrage Economies contemporaines du cinéma en Europe, un ensemble d'analyses précises et documentées qui battent en brèche bien des idées reçues.

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    Paper provided by HAL in its series Post-Print with number halshs-00007577.

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    Date of creation: 2002
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    Publication status: Published in Compte rendu de lecture de l'ouvrage "Economies contemporaines du cinéma européen. L'improbable i.. 2002
    Handle: RePEc:hal:journl:halshs-00007577
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