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Ordinary Economic Practices in Music and Performing Arts (17th-20th Centuries)
[Pratiques économiques ordinaires de la musique et du spectacle (XVIIe-XXe siècle)]

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  • Anne-Madeleine Goulet

    (CESR - Centre d'études supérieures de la Renaissance UMR 7323 - MCC - Ministère de la Culture et de la Communication - UT - Université de Tours - CNRS - Centre National de la Recherche Scientifique)

Abstract

This issue explores, from an historical perspective, the relationships between the performing arts and the economy between the seventeenth and twentieth centuries. The articles analyse practices of agents in charge of organizing and marketing cultural production, although they had no particular skills in the economic field. In the background, they developed tools to organize the economic realities to which they were confronted. Drawing on three areas of artistic practice (labour, finance, and production), the case studies gathered here shed light on the way in which new skills emerged from everyday activities and ordinary artistic practices.

Suggested Citation

  • Anne-Madeleine Goulet, 2025. "Ordinary Economic Practices in Music and Performing Arts (17th-20th Centuries) [Pratiques économiques ordinaires de la musique et du spectacle (XVIIe-XXe siècle)]," Post-Print hal-05214604, HAL.
    • Handle: RePEc:hal:journl:hal-05214604
    DOI: 10.4000/14by0
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